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oapen-20.500.12657-327182023-05-22T14:42:00Z Techné/Technology van den Oever, Annie techne media technologies technology film theory digital revolution film cinema technologies media theory Martin Heidegger Metz bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism This fourth title in the series The Key Debates sets out where the term techne comes from, how it unleashed a revolution in thought and how the concept in the midst of the current digital revolution, once again, is influencing the study of film. In addition, the authors - among them André Gaudreault, Geoffrey Wintrop-Young, Martin Lefevbre, Dominique Chateau, Nanna Verhoeff, Andreas Fickers and Ian Christie - investigate how technologies have affected the major debates about film, how they affected film theory and some of its key concepts. This is one of the rare books to assess the comprehensive history of the philosophies of technology and their impact on film and media theory in greater detail. 2016-12-31 23:55:55 2019-12-10 14:46:32 2020-04-01T14:17:27Z 2020-04-01T14:17:27Z 2014 book 607770 OCN: 1030818240 9789089645715 9789048519910 http://library.oapen.org/handle/20.500.12657/32718 eng The Key Debates: Mutations and Appropriations in European Film Studies application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 607770.pdf Amsterdam University Press 10.26530/OAPEN_607770 10.26530/OAPEN_607770 dd3d1a33-0ac2-4cfe-a101-355ae1bd857a 7292b17b-f01a-4016-94d3-d7fb5ef9fb79 9789089645715 9789048519910 European Research Council (ERC) 283464 FP7 2019-08-13 19:12:37, ERC funding for chapter: Performativity/Expressivity: The Mobile Micro Screen and Its Subject FP7 Ideas: European Research Council FP7-IDEAS-ERC - Specific Programme: "Ideas" Implementing the Seventh Framework Programme of the European Community for Research, Technological Development and Demonstration Activities (2007 to 2013) open access
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This fourth title in the series The Key Debates sets out where the term techne comes from, how it unleashed a revolution in thought and how the concept in the midst of the current digital revolution, once again, is influencing the study of film. In addition, the authors - among them André Gaudreault, Geoffrey Wintrop-Young, Martin Lefevbre, Dominique Chateau, Nanna Verhoeff, Andreas Fickers and Ian Christie - investigate how technologies have affected the major debates about film, how they affected film theory and some of its key concepts. This is one of the rare books to assess the comprehensive history of the philosophies of technology and their impact on film and media theory in greater detail.
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