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oapen-20.500.12657-329352021-11-04T14:12:15Z Experimental Affinities in Music de Assis, Paulo recitation artistic experimentation expression music theory experimentation musical meaning orpheus institute series interpretation experiments performance Music theory bic Book Industry Communication::A The arts::AV Music::AVA Theory of music & musicology Experimental Affinities in Music brings together diverse artistic, musicological, historical, and philosophical essays, enhancing a broad discourse on artistic experimentation, and exploring various experimental attitudes in music composed between the thirteenth and twentieth centuries. The golden thread running through the different chapters is the quest for inherently experimental musical practices, a quest pursued from interrogating, descriptive, or challenging perspectives, and always in relation to concrete music examples. Experimental is taken as an adventurous compositional, interpretive, or performative attitude that can cut across different ages and styles. Affinities suggest connectors and connections, convergences, contiguities, and adjacencies that are found in and through a diversity of approaches and topics. The texts share a common genesis: the lectures of the International Orpheus Academies for Music and Theory convened by Luk Vaes (2011) and Paulo de Assis (2012, 2013). The affinities found in this volume include essays by Lydia Goehr, Felix Diergarten, Mark Lindley, Martin Kirnbauer, Edward Wickham, Lawrence Kramer, Hermann Danuser, and Thomas Christensen, as well as interviews with pianist Leon Fleisher, with pianist-composer Frederic Rzewski, and with composer Helmut Lachenmann. (publishing partner ‘Orpheus Institute’) 2015-12-31 23:55:55 2019-05-13 14:54:12 2020-04-01T14:23:05Z 2020-04-01T14:23:05Z 2015 book 587990 OCN: 948825219 9789461661883 http://library.oapen.org/handle/20.500.12657/32935 eng Orpheus Institute Series application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 587990.pdf http://upers.kuleuven.be/en/book/9789462700611 Leuven University Press 10.26530/OAPEN_587990 10.26530/OAPEN_587990 91436d3b-fb9a-45e9-8a57-08708b92dcda 7292b17b-f01a-4016-94d3-d7fb5ef9fb79 9789461661883 European Research Council (ERC) 252 Belgium, Leuven 313419 FP7 SC39 FP7 Ideas: European Research Council FP7-IDEAS-ERC - Specific Programme: "Ideas" Implementing the Seventh Framework Programme of the European Community for Research, Technological Development and Demonstration Activities (2007 to 2013) open access
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Experimental Affinities in Music brings together diverse artistic, musicological, historical, and philosophical essays, enhancing a broad discourse on artistic experimentation, and exploring various experimental attitudes in music composed between the thirteenth and twentieth centuries. The golden thread running through the different chapters is the quest for inherently experimental musical practices, a quest pursued from interrogating, descriptive, or challenging perspectives, and always in relation to concrete music examples.
Experimental is taken as an adventurous compositional, interpretive, or performative attitude that can cut across different ages and styles. Affinities suggest connectors and connections, convergences, contiguities, and adjacencies that are found in and through a diversity of approaches and topics.
The texts share a common genesis: the lectures of the International Orpheus Academies for Music and Theory convened by Luk Vaes (2011) and Paulo de Assis (2012, 2013). The affinities found in this volume include essays by Lydia Goehr, Felix Diergarten, Mark Lindley, Martin Kirnbauer, Edward Wickham, Lawrence Kramer, Hermann Danuser, and Thomas Christensen, as well as interviews with pianist Leon Fleisher, with pianist-composer Frederic Rzewski, and with composer Helmut Lachenmann.
(publishing partner ‘Orpheus Institute’)
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