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oapen-20.500.12657-330482022-04-26T12:21:19Z Framing French Culture Edwards, Natalie McCann, Ben Poiana, Peter jean fornasiero sonya stephens the artwork of the baudin expedition to australia (1800-1804): nicolas-martin petit's 1802 portrait of an aboriginal woman and child from van diemen's land french culture nicole starbuck jane southwood ben mccann annie ernaux's phototextual archives: ecrire la vie french literature the return of trauner: late style in 1970s and 1980s french film design french photography john west-sooby framing the eiffel tower: from postcards to postmodernism colonial vision french voyager-artists aboriginal subjects and the british colony at port jackson an artist in the making: the early drawings of charles-alexandre lesueur during the baudin expedition to australia framing new holland or framing a narrative? a representation of sydney according to charles-alexandre lesueur Édouard Manet Paris bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSA Literary theory bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies::JFCA Popular culture Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned. 2015-12-31 23:55:55 2018-06-27 14:41:01 2020-04-01T14:28:18Z 2020-04-01T14:28:18Z 2015 book 577016 OCN: 1125871340 9781922064875 http://library.oapen.org/handle/20.500.12657/33048 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 577016.pdf https://shop.adelaide.edu.au/konakart/Welcome.action University of Adelaide Press 10.20851/framing-french 10.20851/framing-french e4a7b334-7ddc-46f4-ac3e-719733ac2ed4 9781922064875 291 open access
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Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned.
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