560101.pdf

Boris Vian is a rare phenomenon. Nothing short of a national treasure in France, he is hardly known overseas. In his lifetime, he divided literary opinion with masterpieces that failed to sell and best sellers that caused outrage, trials and even deaths, including his own. As an impresario, he becam...

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Γλώσσα:English
Έκδοση: University of Adelaide Press 2015
Διαθέσιμο Online:https://shop.adelaide.edu.au/konakart/Welcome.action
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spelling oapen-20.500.12657-331772021-04-30T09:24:32Z If I say If: The Poems and Short Stories of Boris Vian Rolls, Alistair West-Sooby, John Fornasiero, Jean french english a life in paradox translation the poetry of boris vian je veux pas crever translated maria freij boris vian the poems and short stories of boris vian if i say if christelle conzalo peter hodges francois roulmann rereading vian: a poetics of partial disclosure audrey camus the short stories of boris vian boris vian and short fiction translating boris vian Paris bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSC Literary studies: poetry & poets bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSK Literary studies: fiction, novelists & prose writers Boris Vian is a rare phenomenon. Nothing short of a national treasure in France, he is hardly known overseas. In his lifetime, he divided literary opinion with masterpieces that failed to sell and best sellers that caused outrage, trials and even deaths, including his own. As an impresario, he became the figurehead of the jazz scene that marked the French left bank at the end of the Second World War and was responsible for bringing Duke Ellington and Miles Davis to France. As a musician, he played his trumpet against the advice of cardiologists, sang pacifist songs before audiences of outraged patriots and, in passing, created French rock ‘n’ roll. Posthumously, he became known for his theatre, film scripts and poetry as well as for his novels. And in May ’68 he became a revolutionary icon. 2015-12-31 23:55:55 2018-06-27 14:41:01 2020-04-01T14:35:34Z 2020-04-01T14:35:34Z 2014 book 560101 OCN: 897577924 http://library.oapen.org/handle/20.500.12657/33177 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 560101.pdf https://shop.adelaide.edu.au/konakart/Welcome.action University of Adelaide Press 10.20851/vian-if 10.20851/vian-if e4a7b334-7ddc-46f4-ac3e-719733ac2ed4 412 open access
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language English
description Boris Vian is a rare phenomenon. Nothing short of a national treasure in France, he is hardly known overseas. In his lifetime, he divided literary opinion with masterpieces that failed to sell and best sellers that caused outrage, trials and even deaths, including his own. As an impresario, he became the figurehead of the jazz scene that marked the French left bank at the end of the Second World War and was responsible for bringing Duke Ellington and Miles Davis to France. As a musician, he played his trumpet against the advice of cardiologists, sang pacifist songs before audiences of outraged patriots and, in passing, created French rock ‘n’ roll. Posthumously, he became known for his theatre, film scripts and poetry as well as for his novels. And in May ’68 he became a revolutionary icon.
title 560101.pdf
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title_sort 560101.pdf
publisher University of Adelaide Press
publishDate 2015
url https://shop.adelaide.edu.au/konakart/Welcome.action
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