437365.pdf

In 1923, Victor Sjöström (1879-1960) got an offer from Goldwyn Pictures to come to Hollywood. This was nothing unusual for a successful European director: - Metro's bring - ing them in by car load - , as Photoplay stated in 1926. At the time, Sjöström was Sweden's most renowned director, w...

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Γλώσσα:English
Έκδοση: Amsterdam University Press 2013
id oapen-20.500.12657-34348
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spelling oapen-20.500.12657-343482021-04-30T08:32:04Z Transition and Transformation Florin, Bo motion pictures film Cinema of the United States Hollywood Sweden United States Victor Sjöström bic Book Industry Communication::A The arts::AP Film, TV & radio bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism In 1923, Victor Sjöström (1879-1960) got an offer from Goldwyn Pictures to come to Hollywood. This was nothing unusual for a successful European director: - Metro's bring - ing them in by car load - , as Photoplay stated in 1926. At the time, Sjöström was Sweden's most renowned director, who had become world famous for his austere and naturalistic film style. Sjöström stayed in Hollywood for seven years and made nine films. What happened during those years to the characteristic style that he had developed in Sweden? How was it transformed by Hollywood? Did he maintain any of his stylistic particularities from the Swedish period? How were his Hollywood films received by the American and Swedish critics? This portrayal of a European in Hollywood reveals how Sjöström, in adapting to the new production system, integrated and developed various stylistic elements from the Swedish years in a radically different context. Transition and Transformation is the first book-length study dedicated to the films of Victor Sjöström made in Hollywood, which also nuances the picture of the American production system. Victor Sjöström (1879-1960), in Hollywood bekend onder de naam Victor Seastrom, was ongetwijfeld een van de meest getalenteerde filmregisseurs van de stomme film. Door de focus op meesterwerken als The Scarlet Letter en The Wind, met tevens aandacht voor films die Sjöström in Zweden maakte voordat hij naar Hollywood vertrok (waaronder als verloren gegaan beschouwde filmfragmenten), analyseert de auteur Sjöströms sobere en naturalistische stijl en de veranderingen die diens manier van regisseren onderging tijdens zijn verblijf in Hollywood. 2013-12-31 23:55:55 2019-12-10 14:46:32 2020-04-01T15:09:54Z 2020-04-01T15:09:54Z 2012 book 437365 OCN: 865651015 http://library.oapen.org/handle/20.500.12657/34348 eng Film Culture in Transition application/pdf n/a 437365.pdf Amsterdam University Press 10.26530/OAPEN_437365 Victor Sjöström (1879-1960), in Hollywood bekend onder de naam Victor Seastrom, was ongetwijfeld een van de meest getalenteerde filmregisseurs van de stomme film. Door de focus op meesterwerken als The Scarlet Letter en The Wind, met tevens aandacht voor films die Sjöström in Zweden maakte voordat hij naar Hollywood vertrok (waaronder als verloren gegaan beschouwde filmfragmenten), analyseert de auteur Sjöströms sobere en naturalistische stijl en de veranderingen die diens manier van regisseren onderging tijdens zijn verblijf in Hollywood. 10.26530/OAPEN_437365 dd3d1a33-0ac2-4cfe-a101-355ae1bd857a 164 open access
institution OAPEN
collection DSpace
language English
description In 1923, Victor Sjöström (1879-1960) got an offer from Goldwyn Pictures to come to Hollywood. This was nothing unusual for a successful European director: - Metro's bring - ing them in by car load - , as Photoplay stated in 1926. At the time, Sjöström was Sweden's most renowned director, who had become world famous for his austere and naturalistic film style. Sjöström stayed in Hollywood for seven years and made nine films. What happened during those years to the characteristic style that he had developed in Sweden? How was it transformed by Hollywood? Did he maintain any of his stylistic particularities from the Swedish period? How were his Hollywood films received by the American and Swedish critics? This portrayal of a European in Hollywood reveals how Sjöström, in adapting to the new production system, integrated and developed various stylistic elements from the Swedish years in a radically different context. Transition and Transformation is the first book-length study dedicated to the films of Victor Sjöström made in Hollywood, which also nuances the picture of the American production system.
title 437365.pdf
spellingShingle 437365.pdf
title_short 437365.pdf
title_full 437365.pdf
title_fullStr 437365.pdf
title_full_unstemmed 437365.pdf
title_sort 437365.pdf
publisher Amsterdam University Press
publishDate 2013
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