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oapen-20.500.12657-346962022-04-26T12:22:52Z Schrijverschap in de Belgische belle époque. Een sociaal-culturele geschiedenis Verbruggen, Christophe literaire instituten belle epoque literary sociability social network analysis belgische literatuur literary institutions literaire gezelligheid sociaal netwerk analyse belgian literature bic Book Industry Communication::1 Geographical Qualifiers::1D Europe::1DD Western Continental Europe::1DDB Belgium bic Book Industry Communication::2 Language qualifiers::2A Indo-European languages::2AC Germanic & Scandinavian languages::2ACF Flemish bic Book Industry Communication::3 Time periods qualifiers::3J Modern period, c 1500 onwards::3JH c 1800 to c 1900 bic Book Industry Communication::3 Time periods qualifiers::3J Modern period, c 1500 onwards::3JJ 20th century bic Book Industry Communication::5 Interest age & special interest qualifiers::5A Interest age / level::5AX For emergent readers (adult) bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSB Literary studies: general::DSBF Literary studies: c 1800 to c 1900 bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSB Literary studies: general::DSBH Literary studies: from c 1900 - This book studies literary sociability during the belle époque (1890-1914) by comparing and relating organizations of authors with intellectual sociability in general. Drawing on a combination of methods including social network analysis, existing histories of Dutch and French speaking literature are questioned. This study shows, for instance, how author’s societies and literary journals were functional in the symbolic struggle between ‘dilettante’ writers on the one hand and self declared ‘professional’ authors on the other. It concludes that Belgian authorship was shaped within a social space that was much broader than the national social space, especially as far as the social construction of the Belgian author-intellectual was concerned. As such, being an intellectual became an important category of personal identity. 2011-01-18 00:00:00 2020-04-01T15:23:20Z 2020-04-01T15:23:20Z 2009 book 365910 OCN: 808385143 9789460040399 http://library.oapen.org/handle/20.500.12657/34696 dut application/pdf n/a 365910.pdf http://www.academiapress.be; http://www.vantilt.nl Academia Press / Vantilt Ginkgo 10.26530/OAPEN_365910 10.26530/OAPEN_365910 7343ae7a-c441-47da-953f-8aac51130a28 9789460040399 Ginkgo 413 Gent; Nijmegen open access
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This book studies literary sociability during the belle époque (1890-1914) by comparing and relating organizations of authors with intellectual sociability in general. Drawing on a combination of methods including social network analysis, existing histories of Dutch and French speaking literature are questioned. This study shows, for instance, how author’s societies and literary journals were functional in the symbolic struggle between ‘dilettante’ writers on the one hand and self declared ‘professional’ authors on the other. It concludes that Belgian authorship was shaped within a social space that was much broader than the national social space, especially as far as the social construction of the Belgian author-intellectual was concerned. As such, being an intellectual became an important category of personal identity.
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