356394.pdf

This text proposes a rereading of the Decameron that traces the female figures - 'constrained' as we are told in the Proem, by the 'wishes', 'desires' and 'orders' of fathers, mothers, brothers and husbands - in their attempt to open up areas of personal life....

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Έκδοση: Firenze University Press 2010
id oapen-20.500.12657-34731
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spelling oapen-20.500.12657-347312021-11-09T07:57:18Z Ragioni d'amore Luigi, Totaro italian literary donne letteratura italiana women giovanni boccaccio decameron bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSR Literary reference works bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFP Social interaction This text proposes a rereading of the Decameron that traces the female figures - 'constrained' as we are told in the Proem, by the 'wishes', 'desires' and 'orders' of fathers, mothers, brothers and husbands - in their attempt to open up areas of personal life. The possession of the female body, considered as part of the family property in a social context governed by a commercial rationale, is an instrument of the violence characterising all social relations, which Boccaccio indicates as a cause for the wrath of God that exploded in the plague of 1348. Moreover, their bodies also become an instrument in the hands of the women themselves when they decide - with all the ambiguity which the context imposed (even on the author) - to repossess the same to use it as a weapon of revenge, an occasion of joy or a gift of love. Il testo propone una rilettura del Decameron seguendo le figure femminili "costrette", come dice il Proemio, "da' voleri, da' piaceri, da' comandamenti de' padri, delle madri, de' fratelli e de' mariti" nei loro tentativi di aprire spazi di vita propria. Il possesso del corpo delle donne, parte del patrimonio familiare nel contesto sociale guidato dalla ragion di mercatura, è uno strumento della violenza che connota tutti i rapporti sociali, e che il Boccaccio indica come causa dell'ira di Dio esplosa nella peste del 1348. Ma diviene anche strumento delle donne quando decidono con tutta l'ambiguità che il contesto imponeva (anche all'Autore) di riappropriarsene per farne arma di vendetta, occasione di gioia, o dono d'amore. 2010-10-04 00:00:00 2020-04-01T15:24:37Z 2020-04-01T15:24:37Z 2005 book 356394 OCN: 808384767 8884532531 http://library.oapen.org/handle/20.500.12657/34731 ita application/pdf n/a 356394.pdf Firenze University Press 10.26530/OAPEN_356394 Il testo propone una rilettura del Decameron seguendo le figure femminili "costrette", come dice il Proemio, "da' voleri, da' piaceri, da' comandamenti de' padri, delle madri, de' fratelli e de' mariti" nei loro tentativi di aprire spazi di vita propria. Il possesso del corpo delle donne, parte del patrimonio familiare nel contesto sociale guidato dalla ragion di mercatura, è uno strumento della violenza che connota tutti i rapporti sociali, e che il Boccaccio indica come causa dell'ira di Dio esplosa nella peste del 1348. Ma diviene anche strumento delle donne quando decidono con tutta l'ambiguità che il contesto imponeva (anche all'Autore) di riappropriarsene per farne arma di vendetta, occasione di gioia, o dono d'amore. 10.26530/OAPEN_356394 bf65d21a-78e5-4ba2-983a-dbfa90962870 8884532531 open access
institution OAPEN
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language ita
description This text proposes a rereading of the Decameron that traces the female figures - 'constrained' as we are told in the Proem, by the 'wishes', 'desires' and 'orders' of fathers, mothers, brothers and husbands - in their attempt to open up areas of personal life. The possession of the female body, considered as part of the family property in a social context governed by a commercial rationale, is an instrument of the violence characterising all social relations, which Boccaccio indicates as a cause for the wrath of God that exploded in the plague of 1348. Moreover, their bodies also become an instrument in the hands of the women themselves when they decide - with all the ambiguity which the context imposed (even on the author) - to repossess the same to use it as a weapon of revenge, an occasion of joy or a gift of love.
title 356394.pdf
spellingShingle 356394.pdf
title_short 356394.pdf
title_full 356394.pdf
title_fullStr 356394.pdf
title_full_unstemmed 356394.pdf
title_sort 356394.pdf
publisher Firenze University Press
publishDate 2010
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