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Music always mirrors and acts as a focal point for social paradigms and discourses surrounding political and national identity. The essays in this volume combine contributions on historical and present-day questions about the relationship between politics and musical creativity. The first part conce...
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Universitätsverlag Göttingen
2020
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oapen-20.500.12657-371272020-06-17T08:40:51Z Musik Gardner, Matthew Walsdorf, Hanna music social paradigm political identity national identity bic Book Industry Communication::A The arts::AV Music Music always mirrors and acts as a focal point for social paradigms and discourses surrounding political and national identity. The essays in this volume combine contributions on historical and present-day questions about the relationship between politics and musical creativity. The first part concentrates on musical identity and political reality, discussing ideological values in musical discourses.The second part deals with (musical) constructions, drawing on diverse national connections within our own and foreign identity. 2020-04-15T02:43:22Z 2020-04-15T02:43:22Z 2016 book book http://library.oapen.org/handle/20.500.12657/37127 ger eng application/pdf Attribution-ShareAlike 4.0 International freie referate_3.pdf Universitätsverlag Göttingen 10.17875/gup2016-950 10.17875/gup2016-950 ffaff15c-73ed-45cd-8be1-56a881b51f62 open access |
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ger English |
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Music always mirrors and acts as a focal point for social paradigms and discourses surrounding political and national identity. The essays in this volume combine contributions on historical and present-day questions about the relationship between politics and musical creativity. The first part concentrates on musical identity and political reality, discussing ideological values in musical discourses.The second part deals with (musical) constructions, drawing on diverse national connections within our own and foreign identity. |
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Universitätsverlag Göttingen |
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2020 |
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1771297450211934208 |