weiland_diss.pdf
By the 1920s and early 1930s the dime novel had already become well established as a medium for serial fiction and it developed innovative ways of shaping the temporality of literary communication: Recurring heroes made an appearance in more than one dime novel series at the same time, some even acr...
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Universitätsverlag Göttingen
2020
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oapen-20.500.12657-371592021-03-25T18:01:25Z "Von einem sensationellen Erlebnis zum anderen getrieben..." Weiland, Gudrun bic Book Industry Communication::C Language By the 1920s and early 1930s the dime novel had already become well established as a medium for serial fiction and it developed innovative ways of shaping the temporality of literary communication: Recurring heroes made an appearance in more than one dime novel series at the same time, some even across media; publishers and writers found collective forms of text production not aiming to create one timeless work of art, but a continuous series of texts; readers learned to orient themselves with competing publishing schedules of different media and to comprehend the text world of a dime novel series by connecting a series of texts. The book deals with the question of how publishers, writers and readers shaped ‚seriality‘ in the process of creating the fictional worlds of dime novels. 2020-04-15T02:44:59Z 2020-04-15T02:44:59Z 2017 book book http://library.oapen.org/handle/20.500.12657/37159 ger application/pdf n/a weiland_diss.pdf Universitätsverlag Göttingen 10.17875/gup2017-1036 10.17875/gup2017-1036 ffaff15c-73ed-45cd-8be1-56a881b51f62 open access |
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By the 1920s and early 1930s the dime novel had already become well established as a medium for serial fiction and it developed innovative ways of shaping the temporality of literary communication: Recurring heroes made an appearance in more than one dime novel series at the same time, some even across media; publishers and writers found collective forms of text production not aiming to create one timeless work of art, but a continuous series of texts; readers learned to orient themselves with competing publishing schedules of different media and to comprehend the text world of a dime novel series by connecting a series of texts. The book deals with the question of how publishers, writers and readers shaped ‚seriality‘ in the process of creating the fictional worlds of dime novels. |
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Universitätsverlag Göttingen |
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2020 |
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