The thirteen chapters in this collection open up new horizons for the study of biblical drama by putting special emphasis on multitemporality, the intersections of biblical narrative and performance, and the strategies employed by playwrights to rework and adapt the biblical source material in Catho...

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Γλώσσα:English
Έκδοση: Manchester University Press 2020
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spelling oapen-20.500.12657-373402020-04-20T12:34:14Z Enacting the Bible in medieval and early modern drama Contzen, Eva von Goodblatt, Chanita Bible medieval early modern drama literature culture bic Book Industry Communication::D Literature & literary studies The thirteen chapters in this collection open up new horizons for the study of biblical drama by putting special emphasis on multitemporality, the intersections of biblical narrative and performance, and the strategies employed by playwrights to rework and adapt the biblical source material in Catholic, Protestant and Jewish culture. Aspects under scrutiny include dramatic traditions, confessional and religious rites, dogmas and debates, conceptualisations of performance, and audience response. The contributors stress the co-presence of biblical and contemporary concerns in the periods under discussion, conceiving of biblical drama as a central participant in the dynamic struggle to both interpret and translate the Bible. 2020-04-20T12:24:57Z 2020-04-20T12:24:57Z 2020 book http://library.oapen.org/handle/20.500.12657/37340 eng Manchester University Press 6110b9b4-ba84-42ad-a0d8-f8d877957cdd 44b23c56-cfe2-4642-b7d9-92b141e3a3df Manchester open access
institution OAPEN
collection DSpace
language English
description The thirteen chapters in this collection open up new horizons for the study of biblical drama by putting special emphasis on multitemporality, the intersections of biblical narrative and performance, and the strategies employed by playwrights to rework and adapt the biblical source material in Catholic, Protestant and Jewish culture. Aspects under scrutiny include dramatic traditions, confessional and religious rites, dogmas and debates, conceptualisations of performance, and audience response. The contributors stress the co-presence of biblical and contemporary concerns in the periods under discussion, conceiving of biblical drama as a central participant in the dynamic struggle to both interpret and translate the Bible.
publisher Manchester University Press
publishDate 2020
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