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oapen-20.500.12657-373412020-07-28T20:09:18Z Chapter 9 Protestant place, Protestant props in the plays of Nicholas Grimald Dutton, Elisabeth protestant drama Reformation Nicholas Grimald props bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSB Literary studies: general::DSBB Literary studies: classical, early & medieval bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSG Literary studies: plays & playwrights bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRC Christianity::HRCG Biblical studies & exegesis::HRCG3 Biblical exegesis & hermeneutics Elisabeth Dutton focuses on how Reformation Protestant writers asserted the historicity of scriptural events. She asks a crucial question: How do the Protestant playwrights manage to create any form of ‘scene’ by which their audiences might be able to situate themselves in these events? Dutton argues that to encourage these audiences, these playwrights – specifically John Bale, John Foxe, and Nicholas Grimald – used the accessible, physical reality of props to thereby overcome the challenges of presenting a Protestant history. 2020-04-20T12:32:32Z 2020-04-20T12:32:32Z 2020 chapter http://library.oapen.org/handle/20.500.12657/37341 eng application/pdf n/a Dutton chapter - 9781526131607.pdf www.manchesteruniversitypress.co.uk/9781526131591 Manchester University Press Enacting the Bible in medieval and early modern drama 10.7765/9781526131607 10.7765/9781526131607 6110b9b4-ba84-42ad-a0d8-f8d877957cdd 8e57f1ac-1803-4067-baef-9a774cb12cc6 b70636da-dc2d-4755-a37e-360db651c0bf 18 Manchester Swiss National Science Foundation (SNSF) - OAPEN-CH open access
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OAPEN
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English
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Elisabeth Dutton focuses on how Reformation Protestant writers asserted the historicity of scriptural events. She asks a crucial question: How do the Protestant playwrights manage to create any form of ‘scene’ by which their audiences might be able to situate themselves in these events? Dutton argues that to encourage these audiences, these playwrights – specifically John Bale, John Foxe, and Nicholas Grimald – used the accessible, physical reality of props to thereby overcome the challenges of presenting a Protestant history.
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Dutton chapter - 9781526131607.pdf
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Dutton chapter - 9781526131607.pdf
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Dutton chapter - 9781526131607.pdf
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Dutton chapter - 9781526131607.pdf
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Dutton chapter - 9781526131607.pdf
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Dutton chapter - 9781526131607.pdf
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dutton chapter - 9781526131607.pdf
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Manchester University Press
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2020
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1771297448711421952
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