9783839439029.pdf
In Digital Image Systems, Claus Gunti examines the antagonizing reactions to digital technologies in photography. While Thomas Ruff, Andreas Gursky and Jörg Sasse have gradually adopted digital imaging tools in the early 1990s, other photographers from the Düsseldorf School have remained faithful to...
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transcript Verlag
2020
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oapen-20.500.12657-374082022-04-26T11:16:18Z Digital Image Systems Gunti, Claus Photography Art Digital Culture Computer Germany Düsseldorf School Thomas Ruff Andreas Gursky Jörg Sasse Art History of the 21st Century European Art Visual Studies Fine Arts bic Book Industry Communication::A The arts::AJ Photography & photographs::AJG Photographic equipment & techniques In Digital Image Systems, Claus Gunti examines the antagonizing reactions to digital technologies in photography. While Thomas Ruff, Andreas Gursky and Jörg Sasse have gradually adopted digital imaging tools in the early 1990s, other photographers from the Düsseldorf School have remained faithful to film-based technologies. By evaluating the aesthetic and discursive preconditions of this situation and by extensively analyzing the digital work of these three photographers, this book shows that the digital turn in photography was anticipated by the conceptualization of images within systems, and thus offers new perspectives for understanding the »digital revolution«. 2020-04-28T15:29:08Z 2020-04-28T15:29:08Z 2020 book ID_20200428_11 9783839439029 http://library.oapen.org/handle/20.500.12657/37408 eng Image application/pdf n/a 9783839439029.pdf transcript Verlag transcript Verlag 10.14361/9783839439029 10.14361/9783839439029 b30a6210-768f-42e6-bb84-0e6306590b5c 07f61e34-5b96-49f0-9860-c87dd8228f26 9783839439029 Swiss National Science Foundation (SNF) transcript Verlag 116 352 Bielefeld Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung Swiss National Science Foundation open access |
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English |
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In Digital Image Systems, Claus Gunti examines the antagonizing reactions to digital technologies in photography. While Thomas Ruff, Andreas Gursky and Jörg Sasse have gradually adopted digital imaging tools in the early 1990s, other photographers from the Düsseldorf School have remained faithful to film-based technologies. By evaluating the aesthetic and discursive preconditions of this situation and by extensively analyzing the digital work of these three photographers, this book shows that the digital turn in photography was anticipated by the conceptualization of images within systems, and thus offers new perspectives for understanding the »digital revolution«. |
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9783839439029.pdf |
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9783839439029.pdf |
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9783839439029.pdf |
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9783839439029.pdf |
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9783839439029.pdf |
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9783839439029.pdf |
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9783839439029.pdf |
| publisher |
transcript Verlag |
| publishDate |
2020 |
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1771297447862075392 |
