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oapen-20.500.12657-398582021-07-21T03:41:12Z E. T. A. Hoffmanns Märchenschaffen Vitt-Maucher, Gisela German Studies Literature bic Book Industry Communication::F Fiction & related items::FQ Myth & legend told as fiction This book provides a critical study of all seven of Hoffmann's "Kunstmärchen". Vitt-Maucher's detailed individual analyses focus on Hoffmann's use of structural, stylistic, and linguistic devices to create poetic deviations from the norms of reality. These deviations are diverse: distortions of language and time; altered dimensions of reality, persons, and objects; transformations and reversals of 'normal' conditions or conventions. They underlie Hoffmann's often humorous or grotesque world of fairy tale 'magic' and convey to the reader the poet's intent. In the course of his fairy tale production (1814–1821), Hoffmann's use of language, imagery, and structure becomes increasingly distorted and alienated from everyday reality. Similarly, his employment of humor develops from early sociocritical, ironic, and parodistic intent to more autonomous and clearly less referential forms of 'absolute humor.' 2020-06-23T07:42:16Z 2020-06-23T07:42:16Z 1989 book ONIX_20200623_9781469658575_106 https://library.oapen.org/handle/20.500.12657/39858 ger UNC Studies in the Germanic Languages and Literatures application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9781469658575_WEB.pdf https://uncpress.org/book/9781469658568/e-t-a-hoffmanns-marchenschaffen/ University of North Carolina Press 10.5149/9781469658575_Vitt-Maucher This book provides a critical study of all seven of Hoffmann's "Kunstmärchen". Vitt-Maucher's detailed individual analyses focus on Hoffmann's use of structural, stylistic, and linguistic devices to create poetic deviations from the norms of reality. These deviations are diverse: distortions of language and time; altered dimensions of reality, persons, and objects; transformations and reversals of 'normal' conditions or conventions. They underlie Hoffmann's often humorous or grotesque world of fairy tale 'magic' and convey to the reader the poet's intent. In the course of his fairy tale production (1814–1821), Hoffmann's use of language, imagery, and structure becomes increasingly distorted and alienated from everyday reality. Similarly, his employment of humor develops from early sociocritical, ironic, and parodistic intent to more autonomous and clearly less referential forms of 'absolute humor.' 10.5149/9781469658575_Vitt-Maucher 29b4cf74-8c0a-422f-9d27-e862ca722861 0314e571-4102-4526-b014-3ed8f2d6750a 0cdc3d7c-5c59-49ed-9dba-ad641acd8fd1 108 248 Chapel Hill [grantnumber unknown] [grantnumber unknown] Humanities Open Book Program Humanities Open Book Program National Endowment for the Humanities NEH Andrew W. Mellon Foundation The Andrew W. Mellon Foundation open access
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This book provides a critical study of all seven of Hoffmann's "Kunstmärchen". Vitt-Maucher's detailed individual analyses focus on Hoffmann's use of structural, stylistic, and linguistic devices to create poetic deviations from the norms of reality. These deviations are diverse: distortions of language and time; altered dimensions of reality, persons, and objects; transformations and reversals of 'normal' conditions or conventions. They underlie Hoffmann's often humorous or grotesque world of fairy tale 'magic' and convey to the reader the poet's intent. In the course of his fairy tale production (1814–1821), Hoffmann's use of language, imagery, and structure becomes increasingly distorted and alienated from everyday reality. Similarly, his employment of humor develops from early sociocritical, ironic, and parodistic intent to more autonomous and clearly less referential forms of 'absolute humor.'
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