id |
oapen-20.500.12657-40042
|
record_format |
dspace
|
spelling |
oapen-20.500.12657-400422021-11-11T10:13:12Z AI Art Zylinska, Joanna computers algorithmic art AI bic Book Industry Communication::U Computing & information technology::UB Information technology: general issues Can computers be creative? Is algorithmic art just a form of Candy Crush? Cutting through the smoke and mirrors surrounding computation, robotics and artificial intelligence, Joanna Zylinska argues that, to understand the promise of AI for the creative fields, we must not confine ourselves solely to the realm of aesthetics. Instead, we need to address the role and position of the human in the current technical setup – including the associated issues of labour, robotisation and, last but not least, extinction. Offering a critique of the socio-political underpinnings of AI, AI Art: Machine Visions and Warped Dreams raises poignant questions about the conditions of art making and creativity today. The book critically examines artworks that use AI, be it in the form of visual style transfer, algorithmic experiment or critical commentary. It also engages with their predecessors, including robotic art and net art. AI Art includes a project from Zylinska’s own art practice titled ‘View from the Window’, which explores human and nonhuman forms of intelligence, perception and action. The book closes with speculation on future art – and on art’s future. 2020-07-21T09:25:14Z 2020-07-21T09:25:14Z 2020 book https://library.oapen.org/handle/20.500.12657/40042 eng application/pdf Attribution-ShareAlike 4.0 International Zylinska_2020_AI-Art.pdf http://openhumanitiespress.org/books/titles/ai-art/ Open Humanities Press f4b2eb29-a039-427a-9368-b62dcacdb4bd 181 London open access
|
institution |
OAPEN
|
collection |
DSpace
|
language |
English
|
description |
Can computers be creative? Is algorithmic art just a form of Candy Crush? Cutting through the smoke and mirrors surrounding computation, robotics and artificial intelligence, Joanna Zylinska argues that, to understand the promise of AI for the creative fields, we must not confine ourselves solely to the realm of aesthetics. Instead, we need to address the role and position of the human in the current technical setup – including the associated issues of labour, robotisation and, last but not least, extinction. Offering a critique of the socio-political underpinnings of AI, AI Art: Machine Visions and Warped Dreams raises poignant questions about the conditions of art making and creativity today.
The book critically examines artworks that use AI, be it in the form of visual style transfer, algorithmic experiment or critical commentary. It also engages with their predecessors, including robotic art and net art. AI Art includes a project from Zylinska’s own art practice titled ‘View from the Window’, which explores human and nonhuman forms of intelligence, perception and action. The book closes with speculation on future art – and on art’s future.
|
title |
Zylinska_2020_AI-Art.pdf
|
spellingShingle |
Zylinska_2020_AI-Art.pdf
|
title_short |
Zylinska_2020_AI-Art.pdf
|
title_full |
Zylinska_2020_AI-Art.pdf
|
title_fullStr |
Zylinska_2020_AI-Art.pdf
|
title_full_unstemmed |
Zylinska_2020_AI-Art.pdf
|
title_sort |
zylinska_2020_ai-art.pdf
|
publisher |
Open Humanities Press
|
publishDate |
2020
|
url |
http://openhumanitiespress.org/books/titles/ai-art/
|
_version_ |
1771297578322755584
|