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oapen-20.500.12657-401012022-04-26T11:14:51Z Understanding Audience Engagement in the Contemporary Arts Pitts, Stephanie Price, Sarah M. contemporary action alternative analysis approach bic Book Industry Communication::K Economics, finance, business & management::KJ Business & management bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GM Museology & heritage studies bic Book Industry Communication::K Economics, finance, business & management::KJ Business & management::KJV Ownership & organization of enterprises::KJVX Non-profitmaking organizations Drawing on unique multi-arts, multi-city scholarly research, Understanding Audiences for the Contemporary Arts makes a timely and urgent contribution to debates about the place of arts and culture in contemporary society. The authors critically interrogate the challenges of access, diversity, privilege and responsibility in contemporary art. Asking who benefits from, pays for and consumes the arts, the book highlights fresh, forward-thinking audience and organisational attitudes that show the potential of live arts engagement to contribute to engaged citizenship. Complemented by comparative global analysis, the cutting-edge insights in this book are relevant for interdisciplinary researchers across audience studies and beyond. Enhanced by a new framework for the understanding audience engagement, the book is relevant to scholars, policymakers and reflective practitioners across the spectrum of arts and cultural industries management. 2020-07-27T08:44:46Z 2020-07-27T08:44:46Z 2021 book 9780429342455 https://library.oapen.org/handle/20.500.12657/40101 eng Routledge Research in the Creative and Cultural Industries Taylor & Francis Routledge 10.4324/9780429342455 10.4324/9780429342455 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb aad72f1e-9386-4e0f-adac-f48b84ba4e23 59475d91-5248-42d4-882f-f425fea366c1 9780429342455 Routledge 246 University of Sheffield open access
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Drawing on unique multi-arts, multi-city scholarly research, Understanding Audiences for the Contemporary Arts makes a timely and urgent contribution to debates about the place of arts and culture in contemporary society.
The authors critically interrogate the challenges of access, diversity, privilege and responsibility in contemporary art. Asking who benefits from, pays for and consumes the arts, the book highlights fresh, forward-thinking audience and organisational attitudes that show the potential of live arts engagement to contribute to engaged citizenship. Complemented by comparative global analysis, the cutting-edge insights in this book are relevant for interdisciplinary researchers across audience studies and beyond.
Enhanced by a new framework for the understanding audience engagement, the book is relevant to scholars, policymakers and reflective practitioners across the spectrum of arts and cultural industries management.
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