Grandiosos Batuques_FINAL.pdf

Grandiosos Batuques_FINAL.pdf

The word “batuque” (drums) has a multiple history. In general, until today, it is used to name different musical performances and practices produced by Africans or Afro-descendants. This book investigates the historical processes around the “batuques” during the Portuguese early colonialism in Loure...

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Γλώσσα:por
Έκδοση: Imprensa de História Contemporânea 2020
Διαθέσιμο Online:http://imprensa.ihc.fcsh.unl.pt
id oapen-20.500.12657-41534
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spelling oapen-20.500.12657-415342020-09-02T00:42:25Z “Grandiosos Batuques” Pereira, Matheus Portugal, Mozambique, Lourenço Marques Colonialism, Social History, Drumming, Music, Everyday life, Moçambique, História Social, Batuques, Música, quotidiano bic Book Industry Communication::A The arts::AV Music::AVG Music: styles & genres::AVGE Non-Western music: traditional & "classical" bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJH African history bic Book Industry Communication::H Humanities::HB History::HBT History: specific events & topics::HBTQ Colonialism & imperialism bic Book Industry Communication::H Humanities::HB History::HBL History: earliest times to present day::HBLW 20th century history: c 1900 to c 2000 The word “batuque” (drums) has a multiple history. In general, until today, it is used to name different musical performances and practices produced by Africans or Afro-descendants. This book investigates the historical processes around the “batuques” during the Portuguese early colonialism in Lourenço Marques – currently Maputo – and in southern Mozambique (1890-1940). The categories forged by Portuguese colonial discourses were not able to grasp the multiplicity of experiences of African populations and their practices. Through theoretical and methodological Social History framework, perspectives based on the history “from below” and microhistory research in archives, the “batuques” are, in this book, an object of investigation and a privileged window to analyze resistance, tensions and daily arrangements of those who were subordinated by the Portuguese colonizing power in the region. O “batuque” possui uma história múltipla. O termo foi empregado para designar diferentes práticas musicais e tipos de performance produzidos por africanos e/ou afrodescendentes. Este livro tem como objetivo investigar as formas como os “batuques” foram praticados e resignificados pelo colonialismo português em Lourenço Marques – atual Maputo – e no sul de Moçambique durante o período de 1890-1940. As categorias criadas e implementadas pela ação colonial portuguesa não foram capazes de conter a multiplicidade de experiências das populações africanas e das suas práticas. Por meio de ferramentas teórico-metodológicas da História Social da Cultura, da história “vista de baixo” e da microhistória, os “batuques” configuram-se neste livro como objeto de investigação e janela privilegiada para analisar resistências, tensões e arranjos cotidianos daqueles que foram subalternizados pelo poder colonizador português na região. 2020-09-01T08:16:30Z 2020-09-01T08:16:30Z 2020 book https://library.oapen.org/handle/20.500.12657/41534 por application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International Grandiosos Batuques_FINAL.pdf http://imprensa.ihc.fcsh.unl.pt Imprensa de História Contemporânea 10.34619/06z3-w430 O “batuque” possui uma história múltipla. O termo foi empregado para designar diferentes práticas musicais e tipos de performance produzidos por africanos e/ou afrodescendentes. Este livro tem como objetivo investigar as formas como os “batuques” foram praticados e resignificados pelo colonialismo português em Lourenço Marques – atual Maputo – e no sul de Moçambique durante o período de 1890-1940. As categorias criadas e implementadas pela ação colonial portuguesa não foram capazes de conter a multiplicidade de experiências das populações africanas e das suas práticas. Por meio de ferramentas teórico-metodológicas da História Social da Cultura, da história “vista de baixo” e da microhistória, os “batuques” configuram-se neste livro como objeto de investigação e janela privilegiada para analisar resistências, tensões e arranjos cotidianos daqueles que foram subalternizados pelo poder colonizador português na região. 10.34619/06z3-w430 ac624b66-84e9-405d-b4e3-72ceab70b80f 398 Lisbon open access
institution OAPEN
collection DSpace
language por
description The word “batuque” (drums) has a multiple history. In general, until today, it is used to name different musical performances and practices produced by Africans or Afro-descendants. This book investigates the historical processes around the “batuques” during the Portuguese early colonialism in Lourenço Marques – currently Maputo – and in southern Mozambique (1890-1940). The categories forged by Portuguese colonial discourses were not able to grasp the multiplicity of experiences of African populations and their practices. Through theoretical and methodological Social History framework, perspectives based on the history “from below” and microhistory research in archives, the “batuques” are, in this book, an object of investigation and a privileged window to analyze resistance, tensions and daily arrangements of those who were subordinated by the Portuguese colonizing power in the region.
title Grandiosos Batuques_FINAL.pdf
spellingShingle Grandiosos Batuques_FINAL.pdf
title_short Grandiosos Batuques_FINAL.pdf
title_full Grandiosos Batuques_FINAL.pdf
title_fullStr Grandiosos Batuques_FINAL.pdf
title_full_unstemmed Grandiosos Batuques_FINAL.pdf
title_sort grandiosos batuques_final.pdf
publisher Imprensa de História Contemporânea
publishDate 2020
url http://imprensa.ihc.fcsh.unl.pt
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