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oapen-20.500.12657-417912022-04-26T11:16:41Z Curating Contemporary Music Festivals Farnsworth, Brandon Contemporary Classical Music New Music Neue Musik Berliner Festspiele Münchner Biennale Für Neues Musiktheater Munich Biennale For New Music Theatre Cultural Management Music Music Management Musicology bic Book Industry Communication::A The arts::AV Music::AVG Music: styles & genres::AVGC Western "classical" music Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be. 2020-09-23T09:38:25Z 2020-09-23T09:38:25Z 2020 book ONIX_20200923_9783839452431_8 9783839452431 https://library.oapen.org/handle/20.500.12657/41791 eng Musik und Klangkultur application/pdf n/a 9783839452431.pdf transcript Verlag transcript Verlag 10.14361/9783839452431 10.14361/9783839452431 b30a6210-768f-42e6-bb84-0e6306590b5c 1167ca6f-6888-4884-9132-786a1ef1ac17 9783839452431 transcript Verlag 47 326 Bielefeld [grantnumber unknown] open access
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Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.
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