9780472901449.pdf
Pentasyllabic poetry has been a focus of critical study since the appearance of the earliest works of Chinese literary criticism in the Six Dynasties period. Throughout the subsequent dynasties, traditional Chinese critics continued to examine pentasyllabic poetry as a leading poetic type and to com...
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University of Michigan Press
2020
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oapen-20.500.12657-418412020-09-24T00:43:45Z The Matrix of Lyric Transformation Cai, Zong-qi Cai, Zong-qu Sociology and anthropology bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology Pentasyllabic poetry has been a focus of critical study since the appearance of the earliest works of Chinese literary criticism in the Six Dynasties period. Throughout the subsequent dynasties, traditional Chinese critics continued to examine pentasyllabic poetry as a leading poetic type and to compile various comprehensive anthologies of it. The Matrix of Lyric Transformation enriches this tradition, using modern analytical methods to explore issues of self-expression and to trace the early formal, thematic, and generic developments of this poetic form. Beginning with a discussion of the Yüeh-fu and ku-shih genres of the Han period, Cai Zong-qi introdues the analytical framework of modes from Western literary criticism to show how the pentasyllabic poetry changed over time. He argues that changing practices of poetic composition effected a shift from a dramatic mode typical of folk compositions to a narrative mode and finally to lyric and symbolic modes developed in literati circles. 2020-09-23T15:17:05Z 2020-09-23T15:17:05Z 2020 book ONIX_20200923_9780472901449_37 https://library.oapen.org/handle/20.500.12657/41841 eng chi Michigan Monographs In Chinese Studies application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9780472901449.pdf University of Michigan Press U OF M CENTER FOR CHINESE STUDIES 10.3998/mpub.19985 10.3998/mpub.19985 e07ce9b5-7a46-4096-8f0c-bc1920e3d889 0314e571-4102-4526-b014-3ed8f2d6750a 0cdc3d7c-5c59-49ed-9dba-ad641acd8fd1 U OF M CENTER FOR CHINESE STUDIES 75 273 Ann Arbor [grantnumber unknown] [grantnumber unknown] National Endowment for the Humanities NEH Andrew W. Mellon Foundation The Andrew W. Mellon Foundation open access |
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Pentasyllabic poetry has been a focus of critical study since the appearance of the earliest works of Chinese literary criticism in the Six Dynasties period. Throughout the subsequent dynasties, traditional Chinese critics continued to examine pentasyllabic poetry as a leading poetic type and to compile various comprehensive anthologies of it. The Matrix of Lyric Transformation enriches this tradition, using modern analytical methods to explore issues of self-expression and to trace the early formal, thematic, and generic developments of this poetic form. Beginning with a discussion of the Yüeh-fu and ku-shih genres of the Han period, Cai Zong-qi introdues the analytical framework of modes from Western literary criticism to show how the pentasyllabic poetry changed over time. He argues that changing practices of poetic composition effected a shift from a dramatic mode typical of folk compositions to a narrative mode and finally to lyric and symbolic modes developed in literati circles. |
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2020 |
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