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oapen-20.500.12657-423292020-12-23T13:37:54Z Sounds of War and Peace Tańczuk, Renata Wieczorek, Sławomir History of music Popular music Psychology Anthropology Social and cultural anthropology bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology::JHMC Social & cultural anthropology, ethnography bic Book Industry Communication::A The arts::AV Music bic Book Industry Communication::H Humanities::HB History::HBG General & world history bic Book Industry Communication::H Humanities::HB History::HBT History: specific events & topics bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies This book vividly evokes for the reader the sound world of a number of European cities in the last year of the Second World War. It allows the reader to «hear» elements of the soundscapes of Amsterdam, Dortmund, Lwów/Lviv, Warsaw and Breslau/Wrocław that are bound up with the traumatising experiences of violence, threats and death. Exploiting to the full methodologies and research tools developed in the fields of sound and soundscape studies, the authors analyse their reflections on autobiographical texts and art. The studies demonstrate the role urban sounds played in the inhabitants’ forging a sense of identity as they adapted to new living conditions. The chapters also shed light on the ideological forces at work in the creation of urban sound space. 2020-10-01T19:36:49Z 2020-10-01T19:36:49Z 2018 book ONIX_20201001_9783631753460_236 https://library.oapen.org/handle/20.500.12657/42329 eng Eastern European Studies in Musicology application/pdf n/a 9783631753460.pdf Peter Lang International Academic Publishers 10.3726/b13870 10.3726/b13870 e927e604-2954-4bf6-826b-d5ecb47c6555 10 270 Bern open access
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This book vividly evokes for the reader the sound world of a number of European cities in the last year of the Second World War. It allows the reader to «hear» elements of the soundscapes of Amsterdam, Dortmund, Lwów/Lviv, Warsaw and Breslau/Wrocław that are bound up with the traumatising experiences of violence, threats and death. Exploiting to the full methodologies and research tools developed in the fields of sound and soundscape studies, the authors analyse their reflections on autobiographical texts and art. The studies demonstrate the role urban sounds played in the inhabitants’ forging a sense of identity as they adapted to new living conditions. The chapters also shed light on the ideological forces at work in the creation of urban sound space.
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