9789048551941.pdf

This volume explores new ways of considering, experiencing and making films in a time of technological transition. It brings together an international group of scholars and artists from a variety of countries, who speak different languages and come from different cultural and disciplinary background...

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Γλώσσα:English
Έκδοση: Amsterdam University Press 2020
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spelling oapen-20.500.12657-424072020-10-03T00:48:05Z Post-cinema Chateau, Dominique Moure, José film, contemporary art, media, aesthetics, dispositif bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies This volume explores new ways of considering, experiencing and making films in a time of technological transition. It brings together an international group of scholars and artists from a variety of countries, who speak different languages and come from different cultural and disciplinary backgrounds. 2020-10-02T14:46:37Z 2020-10-02T14:46:37Z 2020 book https://library.oapen.org/handle/20.500.12657/42407 eng The Key Debates: Mutations and Appropriations in European Film Studies application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9789048551941.pdf Amsterdam University Press dd3d1a33-0ac2-4cfe-a101-355ae1bd857a 377 Amsterdam open access
institution OAPEN
collection DSpace
language English
description This volume explores new ways of considering, experiencing and making films in a time of technological transition. It brings together an international group of scholars and artists from a variety of countries, who speak different languages and come from different cultural and disciplinary backgrounds.
title 9789048551941.pdf
spellingShingle 9789048551941.pdf
title_short 9789048551941.pdf
title_full 9789048551941.pdf
title_fullStr 9789048551941.pdf
title_full_unstemmed 9789048551941.pdf
title_sort 9789048551941.pdf
publisher Amsterdam University Press
publishDate 2020
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