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oapen-20.500.12657-425832020-10-15T00:37:45Z Cine, revolución y resistencia Salazar Navarro, Salvador Cuba Política Exterior Revolución cubana Cine latinoamericano ICAI bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJK History of the Americas bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema bic Book Industry Communication::1 Geographical Qualifiers::1K The Americas::1KJ Caribbean islands bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPS International relations::JPSD Diplomacy Throughout these pages a journey is made chronological by the main expressions of the cultural policy developed by the Institute Cuban Film to Latin America, from the early sixties to late 20th century. From the analysis of the Cumbite films (1964, Tomás Gutiérrez Alea), Cantata de Chile (1975, Humberto Solás), Love in the minefield (1987, Pastor Vega) and Mascaró, the American hunter (1991, Constant Rapi Diego), the highlights of this policy and the ideological projects that gave them sustenance. A set of works by Santiago Álvarez, considered the exponent most significant of documentary Cuban politics. History the relationships between ICAIC and Latin America allows us to delve into a complex reading of outer links of the Cuban Revolution, specifically what concerning the interrelationships between actors and institutions. The ultimate goal of this book is contribute to the construction of a critical account of Cuban culture after 1959, with respect to to Latin America. 2020-10-14T09:38:34Z 2020-10-14T09:38:34Z 2020 book ONIX_20201014_9781951634094_3 https://library.oapen.org/handle/20.500.12657/42583 spa application/pdf n/a cine-revolucion-y-resistencia.pdf Latin America Research Commons 10.25154/book5 Throughout these pages a journey is made chronological by the main expressions of the cultural policy developed by the Institute Cuban Film to Latin America, from the early sixties to late 20th century. From the analysis of the Cumbite films (1964, Tomás Gutiérrez Alea), Cantata de Chile (1975, Humberto Solás), Love in the minefield (1987, Pastor Vega) and Mascaró, the American hunter (1991, Constant Rapi Diego), the highlights of this policy and the ideological projects that gave them sustenance. A set of works by Santiago Álvarez, considered the exponent most significant of documentary Cuban politics. History the relationships between ICAIC and Latin America allows us to delve into a complex reading of outer links of the Cuban Revolution, specifically what concerning the interrelationships between actors and institutions. The ultimate goal of this book is contribute to the construction of a critical account of Cuban culture after 1959, with respect to to Latin America. 10.25154/book5 7bb6503b-ca4e-418b-905d-205dc2692bbb 336 Pittsburgh open access
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spa
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Throughout these pages a journey is made chronological by the main expressions of the cultural policy developed by the Institute Cuban Film to Latin America, from the early sixties to late 20th century. From the analysis of the Cumbite films (1964, Tomás Gutiérrez Alea), Cantata de Chile (1975, Humberto Solás), Love in the minefield (1987, Pastor Vega) and Mascaró, the American hunter (1991, Constant Rapi Diego), the highlights of this policy and the ideological projects that gave them sustenance. A set of works by Santiago Álvarez, considered the exponent most significant of documentary Cuban politics. History the relationships between ICAIC and Latin America allows us to delve into a complex reading of outer links of the Cuban Revolution, specifically what concerning the interrelationships between actors and institutions. The ultimate goal of this book is contribute to the construction of a critical account of Cuban culture after 1959, with respect to to Latin America.
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cine-revolucion-y-resistencia.pdf
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cine-revolucion-y-resistencia.pdf
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cine-revolucion-y-resistencia.pdf
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cine-revolucion-y-resistencia.pdf
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| title_fullStr |
cine-revolucion-y-resistencia.pdf
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cine-revolucion-y-resistencia.pdf
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| title_sort |
cine-revolucion-y-resistencia.pdf
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| publisher |
Latin America Research Commons
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2020
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1771297617935859712
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