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oapen-20.500.12657-42927
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dspace
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oapen-20.500.12657-429272022-04-26T11:15:18Z Cultural Convergence Pilný, Ondřej van den Beuken, Ruud Walsh, Ian R. Theatre History National/Regional Theatre and Performance British and Irish Literature National and Regional Theatre and Performance Literature Dublin Gate Theatre cultural exchange Ireland avant-garde North America experimental exchange interaction acculturation Open Access Theatre studies Literature: history & criticism bic Book Industry Communication::A The arts::AN Theatre studies bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence – the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures. 2020-11-13T13:35:36Z 2020-11-13T13:35:36Z 2021 book ONIX_20201113_9783030575625_33 9783030575625 https://library.oapen.org/handle/20.500.12657/42927 eng application/pdf n/a 2021_Book_CulturalConvergence.pdf https://www.springer.com/9783030575625 Springer Nature Palgrave Macmillan 10.1007/978-3-030-57562-5 10.1007/978-3-030-57562-5 6c6992af-b843-4f46-859c-f6e9998e40d5 da087c60-8432-4f58-b2dd-747fc1a60025 9783030575625 Dutch Research Council (NWO) Palgrave Macmillan 244 Nederlandse Organisatie voor Wetenschappelijk Onderzoek Netherlands Organisation for Scientific Research open access
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OAPEN
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DSpace
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| language |
English
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| description |
Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence – the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
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| title |
2021_Book_CulturalConvergence.pdf
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| spellingShingle |
2021_Book_CulturalConvergence.pdf
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| title_short |
2021_Book_CulturalConvergence.pdf
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| title_full |
2021_Book_CulturalConvergence.pdf
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| title_fullStr |
2021_Book_CulturalConvergence.pdf
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| title_full_unstemmed |
2021_Book_CulturalConvergence.pdf
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| title_sort |
2021_book_culturalconvergence.pdf
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| publisher |
Springer Nature
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| publishDate |
2020
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| url |
https://www.springer.com/9783030575625
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| _version_ |
1771297469861199872
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