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oapen-20.500.12657-434512021-01-25T13:50:36Z Ancient Worlds in Film and Television Solomon, Jon Renger, Almut-Barbara Social Science Media Studies bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies More than a century ago, filmmakers made their primary focus innovative and widely promulgated visions of antiquity, creating a profound effect on the critical, popular, and scholarly reception of antiquity. In this volume, scholars from a variety of countries and varying academic disciplines have addressed film’s way of using the field of Classical Reception to investigate, contemplate, and develop hypotheses about present-day culture, society, and politics, with a particular emphasis on gender and gender roles, their relationship to one another, and how filmic constructions of masculinity and femininity shape and are shaped by interacting economic, political, and ideological practices. 2020-12-15T13:30:20Z 2020-12-15T13:30:20Z 2020 book 9789004241923 https://library.oapen.org/handle/20.500.12657/43451 eng application/pdf n/a external_content.pdf Brill Brill 103957 af16fd4b-42a1-46ed-82e8-c5e880252026 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9789004241923 Knowledge Unlatched (KU) Brill Knowledge Unlatched open access
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More than a century ago, filmmakers made their primary focus innovative and widely promulgated visions of antiquity, creating a profound effect on the critical, popular, and scholarly reception of antiquity. In this volume, scholars from a variety of countries and varying academic disciplines have addressed film’s way of using the field of Classical Reception to investigate, contemplate, and develop hypotheses about present-day culture, society, and politics, with a particular emphasis on gender and gender roles, their relationship to one another, and how filmic constructions of masculinity and femininity shape and are shaped by interacting economic, political, and ideological practices.
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