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Drawing on a range of canonical and non-canonical literary, cinematic and social scientific texts produced in post-Unification Italy, Vital Subjects: Race and Biopolitics in Italy is an interdisciplinary study of how racial and colonial discourses shaped the "making" of Italians as modern...
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Liverpool University Press
2020
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oapen-20.500.12657-436672021-01-25T13:51:10Z Vital Subjects Welch, Rhiannon Noel Political Science General bic Book Industry Communication::J Society & social sciences::JP Politics & government Drawing on a range of canonical and non-canonical literary, cinematic and social scientific texts produced in post-Unification Italy, Vital Subjects: Race and Biopolitics in Italy is an interdisciplinary study of how racial and colonial discourses shaped the "making" of Italians as modern political subjects in the years between its administrative unification (1861–1870) and the end of the First World War (1919). The book includes readings of texts by Italian thinkers such as Leopoldo Franchetti and Paolo Mantegazza and it offers new readings of well- and lesser-known texts by a writer who has become Italy's most infamous precursor to Mussolini: poet, novelist, and political provocateur Gabriele D'Annunzio. Vital Subjects concludes with an original analysis of an early film that figures prominently in the history of cinema: Giovanni Pastrone's 1914 silent film Cabiria— produced in the wake of the Italian invasion of Libya (1911–12) and celebrating ancient Roman imperialism. 2020-12-15T13:48:17Z 2020-12-15T13:48:17Z 2016 book 9781781382868 https://library.oapen.org/handle/20.500.12657/43667 eng application/pdf n/a external_content.pdf Liverpool University Press Liverpool University Press 103486 4dc2afaf-832c-43bc-9ac6-8ae6b31a53dc b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781781382868 Knowledge Unlatched (KU) Liverpool University Press Knowledge Unlatched open access |
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Drawing on a range of canonical and non-canonical literary, cinematic and social scientific texts produced in post-Unification Italy, Vital Subjects: Race and Biopolitics in Italy is an interdisciplinary study of how racial and colonial discourses shaped the "making" of Italians as modern political subjects in the years between its administrative unification (1861–1870) and the end of the First World War (1919). The book includes readings of texts by Italian thinkers such as Leopoldo Franchetti and Paolo Mantegazza and it offers new readings of well- and lesser-known texts by a writer who has become Italy's most infamous precursor to Mussolini: poet, novelist, and political provocateur Gabriele D'Annunzio. Vital Subjects concludes with an original analysis of an early film that figures prominently in the history of cinema: Giovanni Pastrone's 1914 silent film Cabiria— produced in the wake of the Italian invasion of Libya (1911–12) and celebrating ancient Roman imperialism. |
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Liverpool University Press |
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2020 |
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