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oapen-20.500.12657-437592021-01-25T13:50:46Z Holy Hip Hop in the City of Angels Zanfagna, Christina Religion Antiquities & Archaeology Music General Social Science Anthropology Cultural & Social bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRA Religion: general bic Book Industry Communication::A The arts::AV Music bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology::JHMC Social & cultural anthropology, ethnography In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop—a movement merging Christianity and hip hop culture—to “save” themselves and the city. Converting street corners to open-air churches and gangsta rap beats into anthems of praise, holy hip hoppers used gospel rap to navigate complicated social and spiritual realities and to transform the Southland’s fractured terrains into musical Zions. Armed with beats, rhymes, and bibles, they journeyed through black Lutheran congregations, prison ministries, African churches, reggae dancehalls, hip hop clubs, Nation of Islam meetings, and Black Lives Matter marches. Zanfagna’s fascinating ethnography provides a contemporary and unique view of black LA, offering a much-needed perspective on how music and religion intertwine in people’s everyday experiences. 2020-12-15T13:56:07Z 2020-12-15T13:56:07Z 2017 book 9780520296206 https://library.oapen.org/handle/20.500.12657/43759 eng application/pdf n/a external_content.pdf University of California Press University of California Press 10.1525/luminos.35 635200.0 10.1525/luminos.35 72f3a53e-04bb-4d73-b921-22a29d903b3b b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9780520296206 Knowledge Unlatched (KU) University of California Press Knowledge Unlatched open access
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In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop—a movement merging Christianity and hip hop culture—to “save” themselves and the city. Converting street corners to open-air churches and gangsta rap beats into anthems of praise, holy hip hoppers used gospel rap to navigate complicated social and spiritual realities and to transform the Southland’s fractured terrains into musical Zions. Armed with beats, rhymes, and bibles, they journeyed through black Lutheran congregations, prison ministries, African churches, reggae dancehalls, hip hop clubs, Nation of Islam meetings, and Black Lives Matter marches. Zanfagna’s fascinating ethnography provides a contemporary and unique view of black LA, offering a much-needed perspective on how music and religion intertwine in people’s everyday experiences.
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University of California Press
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2020
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