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oapen-20.500.12657-438122021-01-25T13:50:58Z Screening Race in American Nontheatrical Film Gordon, Marsha Field, Allyson Nadia Performing Arts Film History & Criticism bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the way filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films, as well as other forms of nontheatrical filmmaking. 2020-12-15T14:00:35Z 2020-12-15T14:00:35Z 2019 book 9781478005605 https://library.oapen.org/handle/20.500.12657/43812 eng application/pdf n/a external_content.pdf Duke University Press Duke University Press https://doi.org/10.1215/9781478005605 103845 https://doi.org/10.1215/9781478005605 f0d6aaef-4159-4e01-b1ea-a7145b2ab14b b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781478005605 Knowledge Unlatched (KU) Duke University Press Knowledge Unlatched open access
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Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the way filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films, as well as other forms of nontheatrical filmmaking.
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