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Visualizing Fascism explores various ways of tracing, displaying, viewing, and interacting with fascism, examining fascism as both a global and aesthetic phenomenon during the twentieth century. It emphasizes transnational and visual qualities in order to refigure ways of establishing visual languag...

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Γλώσσα:English
Έκδοση: Duke University Press 2020
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spelling oapen-20.500.12657-438292021-01-25T13:51:10Z Visualizing Fascism Eley, Geoff Thomas, Julia Adeney History Modern 20th Century bic Book Industry Communication::H Humanities::HB History::HBG General & world history Visualizing Fascism explores various ways of tracing, displaying, viewing, and interacting with fascism, examining fascism as both a global and aesthetic phenomenon during the twentieth century. It emphasizes transnational and visual qualities in order to refigure ways of establishing visual languages, articulate commentaries on the dynamic nature of national identity, and form both supportive and challenging attitudes about the global right. In particular, this volume seeks to challenge the notion that fascism is primarily a national product of Italy, Japan, and Germany; rather it seeks to locate the rise of fascism and the global right in transnational networks connected by capitalism and imperialism. 2020-12-15T14:01:48Z 2020-12-15T14:01:48Z 2020 book 9781478004387 https://library.oapen.org/handle/20.500.12657/43829 eng application/pdf n/a external_content.pdf Duke University Press Duke University Press https://doi.org/10.1215/9781478004387 103796 https://doi.org/10.1215/9781478004387 f0d6aaef-4159-4e01-b1ea-a7145b2ab14b b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781478004387 Knowledge Unlatched (KU) Duke University Press Knowledge Unlatched open access
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language English
description Visualizing Fascism explores various ways of tracing, displaying, viewing, and interacting with fascism, examining fascism as both a global and aesthetic phenomenon during the twentieth century. It emphasizes transnational and visual qualities in order to refigure ways of establishing visual languages, articulate commentaries on the dynamic nature of national identity, and form both supportive and challenging attitudes about the global right. In particular, this volume seeks to challenge the notion that fascism is primarily a national product of Italy, Japan, and Germany; rather it seeks to locate the rise of fascism and the global right in transnational networks connected by capitalism and imperialism.
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publisher Duke University Press
publishDate 2020
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