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oapen-20.500.12657-439472023-07-25T11:54:49Z Filarete Schütze, Sebastian Hub, Berthold History Europe General bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJD European history Antonio di Pietro Averlino, called Filarete, in his Libro architettonico, written between 1460 and 1464 in the form of a dialogue between the author and Duke Francesco Sforza and his son Galeazzo Maria Sforza, tells of the planning, founding and construction of the city named after its owner »Sforzinda« and a city by the sea connected to it. In addition to the practical aspects of architecture and theory in the narrower sense, the first monographical examination of the Codex is also devoted to passages and illustrations that have hitherto been neglected or not at all Filaretes' source writings that go beyond the usual art-historical reference points to show Libro as an outstanding, crystalline document of its time as a whole, which expands and corrects our picture of the Renaissance, shaped by the winners of history. 2020-12-15T14:11:17Z 2020-12-15T14:11:17Z 2020 book 9783205200529 https://library.oapen.org/handle/20.500.12657/43947 ger application/pdf n/a external_content.pdf Böhlau 10.7767/9783205200529 105966 10.7767/9783205200529 Brill b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9783205200529 Knowledge Unlatched (KU) Böhlau Knowledge Unlatched open access
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Antonio di Pietro Averlino, called Filarete, in his Libro architettonico, written between 1460 and 1464 in the form of a dialogue between the author and Duke Francesco Sforza and his son Galeazzo Maria Sforza, tells of the planning, founding and construction of the city named after its owner »Sforzinda« and a city by the sea connected to it. In addition to the practical aspects of architecture and theory in the narrower sense, the first monographical examination of the Codex is also devoted to passages and illustrations that have hitherto been neglected or not at all Filaretes' source writings that go beyond the usual art-historical reference points to show Libro as an outstanding, crystalline document of its time as a whole, which expands and corrects our picture of the Renaissance, shaped by the winners of history.
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