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oapen-20.500.12657-45759
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dspace
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oapen-20.500.12657-457592020-12-22T02:12:18Z The Performance Practice of Electroacoustic Music Toro-Pérez, Germán Angelica Aufführungspraxis Bennett Dominik Electroacoustic Elektroakustische Musik Fonologia Germán Lucas Music Musikgeschichte Pérez Performance Practice Sackmann Scholze Studio Studio di Fonologia Toro years bic Book Industry Communication::A The arts::AV Music::AVG Music: styles & genres::AVGV Electronic music bic Book Industry Communication::A The arts::AV Music::AVA Theory of music & musicology This book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI’s Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice, presenting musicological and practice-based contributions, some dealing with specific problems of performance practice, in particular the analysis and interpretation of the aesthetic prerequisites and production conditions of the repertoire from a musicological perspective, others focusing on specific works and on their realisation from a performer’s perspective. Overall, this publication is intended as a contribution to the performance culture of the repertoire. 2020-12-21T09:52:49Z 2020-12-21T09:52:49Z 2018 book ONIX_20201221_9783034331197_11 https://library.oapen.org/handle/20.500.12657/45759 eng Zuercher Musikstudien application/pdf n/a 9783034331197.pdf Peter Lang International Academic Publishers 10.3726/b11668 10.3726/b11668 e927e604-2954-4bf6-826b-d5ecb47c6555 9 156 Bern open access
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| institution |
OAPEN
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| collection |
DSpace
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| language |
English
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| description |
This book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI’s Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice, presenting musicological and practice-based contributions, some dealing with specific problems of performance practice, in particular the analysis and interpretation of the aesthetic prerequisites and production conditions of the repertoire from a musicological perspective, others focusing on specific works and on their realisation from a performer’s perspective. Overall, this publication is intended as a contribution to the performance culture of the repertoire.
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| title |
9783034331197.pdf
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| spellingShingle |
9783034331197.pdf
|
| title_short |
9783034331197.pdf
|
| title_full |
9783034331197.pdf
|
| title_fullStr |
9783034331197.pdf
|
| title_full_unstemmed |
9783034331197.pdf
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| title_sort |
9783034331197.pdf
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| publisher |
Peter Lang International Academic Publishers
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| publishDate |
2020
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| _version_ |
1771297542963724288
|
