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Argentine Cinema and National Identity covers the development of Argentine cinema since the late 1950s to the mid-1970s, a period that has been understudied. This essential cultural history delves on the dialect tradition versus modernity that was in place during those years and also comprises an ex...
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Liverpool University Press
2021
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oapen-20.500.12657-460402023-01-31T18:47:02Z Argentine Cinema and National Identity Rocha, Carolina Art Film & Video Technology & Engineering Agriculture bic Book Industry Communication::A The arts::AF Art forms::AFK Non-graphic art forms::AFKV Electronic, holographic & video art bic Book Industry Communication::T Technology, engineering, agriculture::TV Agriculture & farming Argentine Cinema and National Identity covers the development of Argentine cinema since the late 1950s to the mid-1970s, a period that has been understudied. This essential cultural history delves on the dialect tradition versus modernity that was in place during those years and also comprises an examination of the political economy of film production as well as the different laws, including that implementing censorship that regulated this cultural industry. It also pays particular attention to two historical film genres: the historical film genre per se and the gauchesque, a genre based on outlaw gauchos that was crucial for nation-building in the nineteenth century. This volume investigates the way Argentine cinema positioned itself when facing the competition of glossy American films and resorted to the historical and gauchesque to bridge the stark divisions between the Argentine left and right in the late 1960s. 2021-01-12T04:32:48Z 2021-01-12T04:32:48Z 2018 book 9781786948267 https://library.oapen.org/handle/20.500.12657/46040 eng application/pdf n/a external_content.pdf Liverpool University Press Liverpool University Press https://doi.org/10.2307/j.ctt1ps32cc https://doi.org/10.2307/j.ctt1ps32cc 4dc2afaf-832c-43bc-9ac6-8ae6b31a53dc b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781786948267 Knowledge Unlatched (KU) Liverpool University Press Knowledge Unlatched open access |
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English |
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Argentine Cinema and National Identity covers the development of Argentine cinema since the late 1950s to the mid-1970s, a period that has been understudied. This essential cultural history delves on the dialect tradition versus modernity that was in place during those years and also comprises an examination of the political economy of film production as well as the different laws, including that implementing censorship that regulated this cultural industry. It also pays particular attention to two historical film genres: the historical film genre per se and the gauchesque, a genre based on outlaw gauchos that was crucial for nation-building in the nineteenth century. This volume investigates the way Argentine cinema positioned itself when facing the competition of glossy American films and resorted to the historical and gauchesque to bridge the stark divisions between the Argentine left and right in the late 1960s. |
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Liverpool University Press |
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2021 |
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