9783110664416.pdf

The Second World War is omnipresent in contemporary memory debates. As the war fades from living memory, this study is the first to systematically analyze how Second World War museums allow prototypical visitors to comprehend and experience the past. It analyzes twelve permanent exhibitions in Europ...

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Γλώσσα:English
Έκδοση: De Gruyter 2020
Διαθέσιμο Online:http://www.degruyter.com/isbn/9783110664416
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spelling oapen-20.500.12657-460472023-06-05T13:09:13Z The Second World War in the Twenty-First-Century Museum Jaeger, Stephan Transnational Memory Second World War Memory Second World War Museum Holocaust Representation bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSB Literary studies: general bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GM Museology & heritage studies bic Book Industry Communication::H Humanities::HB History::HBW Military history::HBWQ Second World War bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies bic Book Industry Communication::J Society & social sciences::JM Psychology::JMR Cognition & cognitive psychology::JMRM Memory The Second World War is omnipresent in contemporary memory debates. As the war fades from living memory, this study is the first to systematically analyze how Second World War museums allow prototypical visitors to comprehend and experience the past. It analyzes twelve permanent exhibitions in Europe and North America – including the Bundeswehr Military History Museum in Dresden, the Museum of the Second World War in Gdańsk, the House of European History in Brussels, the Imperial War Museums in London and Manchester, and the National WWII Museum in New Orleans – in order to show how museums reflect and shape cultural memory, as well as their cognitive, ethical, emotional, and aesthetic potential and effects. This includes a discussion of representations of events such as the Holocaust and air warfare. In relation to narrative, memory, and experience, the study develops the concept of experientiality (on a sliding scale between mimetic and structural forms), which provides a new textual-spatial method for reading exhibitions and understanding the experiences of historical individuals and collectives. It is supplemented by concepts like transnational memory, empathy, and encouraging critical thinking through difficult knowledge. 2020-05-07T15:48:32Z 2020-05-07T15:48:32Z 2020 book Book_9783110664416_20200507_15 1613-8961 9783110664416 https://library.oapen.org/handle/20.500.12657/46047 eng Media and Cultural Memory / Medien und kulturelle Erinnerung application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9783110664416.pdf http://www.degruyter.com/isbn/9783110664416 De Gruyter De Gruyter 10.1515/9783110664416 10.1515/9783110664416 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9783110664416 Knowledge Unlatched (KU) De Gruyter 26 354 Berlin/Boston Knowledge Unlatched open access
institution OAPEN
collection DSpace
language English
description The Second World War is omnipresent in contemporary memory debates. As the war fades from living memory, this study is the first to systematically analyze how Second World War museums allow prototypical visitors to comprehend and experience the past. It analyzes twelve permanent exhibitions in Europe and North America – including the Bundeswehr Military History Museum in Dresden, the Museum of the Second World War in Gdańsk, the House of European History in Brussels, the Imperial War Museums in London and Manchester, and the National WWII Museum in New Orleans – in order to show how museums reflect and shape cultural memory, as well as their cognitive, ethical, emotional, and aesthetic potential and effects. This includes a discussion of representations of events such as the Holocaust and air warfare. In relation to narrative, memory, and experience, the study develops the concept of experientiality (on a sliding scale between mimetic and structural forms), which provides a new textual-spatial method for reading exhibitions and understanding the experiences of historical individuals and collectives. It is supplemented by concepts like transnational memory, empathy, and encouraging critical thinking through difficult knowledge.
title 9783110664416.pdf
spellingShingle 9783110664416.pdf
title_short 9783110664416.pdf
title_full 9783110664416.pdf
title_fullStr 9783110664416.pdf
title_full_unstemmed 9783110664416.pdf
title_sort 9783110664416.pdf
publisher De Gruyter
publishDate 2020
url http://www.degruyter.com/isbn/9783110664416
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