spelling |
oapen-20.500.12657-465002021-02-04T02:13:37Z Transcultural Modernisms House Research Group, Model Egermann, Eva Krameritsch, Jakob Kravagna, Christian Linortner, Christina Osten, Marion von Amir, Fahim Hille, Moira Spillmann, Peter China India Morocco Modernism Architecture Urbanism Housing Landscape-based construction Interculturality Cultural transmission Postcolonialism bic Book Industry Communication::A The arts::AB The arts: general issues::ABA Theory of art Transcultural Modernisms is based on the findings of an interdisciplinary research project with focus on modernist architectural projects realized in the era of decolonization. It maps out the network of encounters, transnational influences, and local appropriations of an architectural modernity manifested in various ways in housing projects in India, Israel, Morocco, and China that served as exemplary standard models, not only for Western societies. The emphasis in Transcultural Modernisms is on the exchanges and interrelations among international and local actors and concepts, a perspective in which "modernity" is not passively received, but is a concept in circulation, moving in several different directions at once, subject to constant renegotiation and reinterpretation. Modernism is not presented as a universalist and/or European project, but as marked by cultural transfers and their global localization and translation. 2021-02-03T11:24:46Z 2021-02-03T11:24:46Z 2013 book ONIX_20210203_9783956790126_2 https://library.oapen.org/handle/20.500.12657/46500 eng Publication Series of the Academy of Fine Arts Vienna application/pdf n/a 9783956790126.pdf https://www.sternberg-press.com/product/transcultural-modernisms/ Sternberg Press 10.21937/9783956790126 10.21937/9783956790126 ee30a22a-e7bd-4716-a9d3-aee6782f28a6 75c96369-d839-4b2f-8864-b587ff8b5a70 12 261 Berlin [grantnumber unknown] open access
|
description |
Transcultural Modernisms is based on the findings of an interdisciplinary research project with focus on modernist architectural projects realized in the era of decolonization. It maps out the network of encounters, transnational influences, and local appropriations of an architectural modernity manifested in various ways in housing projects in India, Israel, Morocco, and China that served as exemplary standard models, not only for Western societies. The emphasis in Transcultural Modernisms is on the exchanges and interrelations among international and local actors and concepts, a perspective in which "modernity" is not passively received, but is a concept in circulation, moving in several different directions at once, subject to constant renegotiation and reinterpretation. Modernism is not presented as a universalist and/or European project, but as marked by cultural transfers and their global localization and translation.
|