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Kendra Marston interrogates representations of melancholic white femininity in contemporary Hollywood cinema, arguing that the ‘melancholic white woman’ serves as a vehicle through which to explore the excesses of late capitalism and a crisis of faith in the American dream.
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Edinburgh University Press
2021
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oapen-20.500.12657-465342023-02-01T08:49:39Z Postfeminist Whiteness Marston, Kendra Performing Arts Film Direction & Production bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFX Film production: technical & background skills Kendra Marston interrogates representations of melancholic white femininity in contemporary Hollywood cinema, arguing that the ‘melancholic white woman’ serves as a vehicle through which to explore the excesses of late capitalism and a crisis of faith in the American dream. 2021-02-05T04:30:43Z 2021-02-05T04:30:43Z 2018 book 9781474430319 https://library.oapen.org/handle/20.500.12657/46534 eng application/pdf n/a external_content.pdf Edinburgh University Press Edinburgh University Press 2929b85d-867c-4c12-b0ef-07125b354d7b 2a191404-86cd-479e-afc8-ff2b8d611a94 9781474430319 Knowledge Unlatched (KU) Edinburgh University Press open access |
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English |
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Kendra Marston interrogates representations of melancholic white femininity in contemporary Hollywood cinema, arguing that the ‘melancholic white woman’ serves as a vehicle through which to explore the excesses of late capitalism and a crisis of faith in the American dream. |
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Edinburgh University Press |
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2021 |
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1771297472115638272 |
