9781526151988_fullhl.pdf

Sonic ethnography explores the role of sound-making and listening practices in the formation of local identities in the southern Italian region of Basilicata. The book uses a combination of text, photography and sound recording to investigate soundful cultural performances such as tree rituals, carn...

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Γλώσσα:English
Έκδοση: Manchester University Press 2021
id oapen-20.500.12657-46718
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spelling oapen-20.500.12657-467182021-02-13T02:07:59Z Sonic ethnography Ferrarini, Lorenzo Scaldaferri, Nicola Basilicata sonic ethnography heritagisation cultural performances photo-ethnography acoustic communities soundscapes sound festivals southern Italy bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology::JHMC Social & cultural anthropology, ethnography bic Book Industry Communication::A The arts::AV Music::AVG Music: styles & genres::AVGH Folk & traditional music bic Book Industry Communication::1 Geographical Qualifiers::1D Europe::1DS Southern Europe::1DST Italy Sonic ethnography explores the role of sound-making and listening practices in the formation of local identities in the southern Italian region of Basilicata. The book uses a combination of text, photography and sound recording to investigate soundful cultural performances such as tree rituals, carnivals, pilgrimages, events promoting cultural heritage and more informal musical performances. Its approach demonstrates how in the acoustic domain tradition is made and disrupted, power struggles take place and acoustic communities are momentarily brought together in shared temporality and space. This book underlines how an attention to sound-making, recording and listening practices can bring innovative contributions to the ethnography of an area that has been studied by Italian and foreign scholars since the 1950s. The approaches of the classic anthropological scholarship on the region have become one of the forces at play in a complex field where discourses on a traditional past, politics of heritage and transnational diasporic communities interact. The book’s argument is carried forward not just by textual means, but also through the inclusion of six ‘sound-chapters’, that is, compositions of sound recordings themed so as to interact with the topic of the corresponding textual chapter, and through a large number of colour photographs. Two methodological chapters, respectively about doing research in sound and on photo-ethnography, explain the authors’ approach to field research and to the making of the book. 2021-02-12T11:43:47Z 2021-02-12T11:43:47Z 2020 book ONIX_20210212_9781526151988_5 https://library.oapen.org/handle/20.500.12657/46718 eng application/pdf Attribution 4.0 International 9781526151988_fullhl.pdf www.manchesteruniversitypress.co.uk/9781526152008 Manchester University Press 6110b9b4-ba84-42ad-a0d8-f8d877957cdd 240 Manchester open access
institution OAPEN
collection DSpace
language English
description Sonic ethnography explores the role of sound-making and listening practices in the formation of local identities in the southern Italian region of Basilicata. The book uses a combination of text, photography and sound recording to investigate soundful cultural performances such as tree rituals, carnivals, pilgrimages, events promoting cultural heritage and more informal musical performances. Its approach demonstrates how in the acoustic domain tradition is made and disrupted, power struggles take place and acoustic communities are momentarily brought together in shared temporality and space. This book underlines how an attention to sound-making, recording and listening practices can bring innovative contributions to the ethnography of an area that has been studied by Italian and foreign scholars since the 1950s. The approaches of the classic anthropological scholarship on the region have become one of the forces at play in a complex field where discourses on a traditional past, politics of heritage and transnational diasporic communities interact. The book’s argument is carried forward not just by textual means, but also through the inclusion of six ‘sound-chapters’, that is, compositions of sound recordings themed so as to interact with the topic of the corresponding textual chapter, and through a large number of colour photographs. Two methodological chapters, respectively about doing research in sound and on photo-ethnography, explain the authors’ approach to field research and to the making of the book.
title 9781526151988_fullhl.pdf
spellingShingle 9781526151988_fullhl.pdf
title_short 9781526151988_fullhl.pdf
title_full 9781526151988_fullhl.pdf
title_fullStr 9781526151988_fullhl.pdf
title_full_unstemmed 9781526151988_fullhl.pdf
title_sort 9781526151988_fullhl.pdf
publisher Manchester University Press
publishDate 2021
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