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oapen-20.500.12657-473492023-02-01T08:49:59Z Postmodern Crises Lipovetsky, Mark Technology & Engineering Marine & Naval Literary Collections Russian & Former Soviet Union bic Book Industry Communication::T Technology, engineering, agriculture::TT Other technologies & applied sciences::TTS Marine engineering bic Book Industry Communication::D Literature & literary studies::DQ Anthologies (non-poetry) Postmodern Crises collects previously published and yet unpublished Mark Lipovetsky’s articles on Russian literature and film. Written in different years, they focus on cultural and aesthetic crises that, taken together, constitute the postmodern condition of Russian culture. The reader will find here articles about classic subversive texts (such as Nabokov’s Lolita), performances (Pussy Riot), and recent, but also subversive, films. Other articles discuss such authors as Vladimir Sorokin, such sociocultural discourses as the discourse of scientific intelligentsia; post-Soviet adaptations of Socialist Realism, and contemporary trends of “complex” literature, as well as literary characters turned into cultural tropes (the Strugatsky’s progressors). The book will be interesting for teachers and scholars of contemporary Russian literature and culture; it can be used both in undergraduate and graduate courses. 2021-03-16T04:30:56Z 2021-03-16T04:30:56Z 2017 book 9781618115591 https://library.oapen.org/handle/20.500.12657/47349 eng application/pdf n/a external_content.pdf Academic Studies Press Academic Studies Press https://doi.org/10.1515/9781618115591 https://doi.org/10.1515/9781618115591 ffe92610-fbe7-449b-a2a8-02c411701a23 9781618115591 Knowledge Unlatched (KU) Academic Studies Press open access
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Postmodern Crises collects previously published and yet unpublished Mark Lipovetsky’s articles on Russian literature and film. Written in different years, they focus on cultural and aesthetic crises that, taken together, constitute the postmodern condition of Russian culture. The reader will find here articles about classic subversive texts (such as Nabokov’s Lolita), performances (Pussy Riot), and recent, but also subversive, films. Other articles discuss such authors as Vladimir Sorokin, such sociocultural discourses as the discourse of scientific intelligentsia; post-Soviet adaptations of Socialist Realism, and contemporary trends of “complex” literature, as well as literary characters turned into cultural tropes (the Strugatsky’s progressors). The book will be interesting for teachers and scholars of contemporary Russian literature and culture; it can be used both in undergraduate and graduate courses.
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