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oapen-20.500.12657-473742022-01-25T10:56:59Z Knowing in Performing Huber, Annegret Ingrisch, Doris Kaufmann, Therese Kretz, Johannes Schröder, Gesine Zembylas, Tasos Artistic Research Music Performing Arts Participatory Art Theatre Science Theatre Studies Musicology Cultural Theory bic Book Industry Communication::A The arts::AN Theatre studies bic Book Industry Communication::A The arts::AV Music::AVA Theory of music & musicology How can performing be transformed into cognition? Knowing in Performing describes dynamic processes of artistic knowledge production in music and the performing arts. Knowing refers to how processual, embodied, and tacit knowledge can be developed from performative practices in music, dance, theatre, and film. By exploring the field of artistic research as a constantly transforming space for participatory and experimental artistic practices, this anthology points the way forward for researchers, artists, and decision-makers inside and outside universities of the arts. 2021-03-18T13:03:16Z 2021-03-18T13:03:16Z 2021 book ONIX_20210318_9783839452875_7 9783839452875 9783837652871 https://library.oapen.org/handle/20.500.12657/47374 eng application/pdf Attribution-ShareAlike 4.0 International 9783839452875.pdf transcript Verlag 10.14361/9783839452875 10.14361/9783839452875 b30a6210-768f-42e6-bb84-0e6306590b5c 9783839452875 9783837652871 228 Bielefeld open access
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How can performing be transformed into cognition? Knowing in Performing describes dynamic processes of artistic knowledge production in music and the performing arts. Knowing refers to how processual, embodied, and tacit knowledge can be developed from performative practices in music, dance, theatre, and film. By exploring the field of artistic research as a constantly transforming space for participatory and experimental artistic practices, this anthology points the way forward for researchers, artists, and decision-makers inside and outside universities of the arts.
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