9781315596587_oachapter5.pdf

In recent years, empathy has received considerable research attention as a means of understanding a range of psychological phenomena, and it is fast drawing attention within the fields of music psychology and music education. This volume seeks to promote and stimulate further research in music and e...

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Γλώσσα:English
Έκδοση: Taylor & Francis 2021
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spelling oapen-20.500.12657-475122021-03-25T01:35:04Z Chapter 5 Audience responses in the light of perception–action theories of empathy Wöllner, Clemens Music, empathy bic Book Industry Communication::A The arts::AV Music In recent years, empathy has received considerable research attention as a means of understanding a range of psychological phenomena, and it is fast drawing attention within the fields of music psychology and music education. This volume seeks to promote and stimulate further research in music and empathy, with contributions from many of the leading scholars in the fields of music psychology, neuroscience, music philosophy and education. It exposes current developmental, cognitive, social and philosophical perspectives on research in music and empathy, and considers the notion in relation to our engagement with different types of music and media. Following a Prologue, the volume presents twelve chapters organised into two main areas of enquiry. The first section, entitled 'Empathy and Musical Engagement', explores empathy in music education and therapy settings, and provides social, cognitive and philosophical perspectives about empathy in relation to our interaction with music. The second section, entitled 'Empathy in Performing Together', provides insights into the role of empathy across non-Western, classical, jazz and popular performance domains. This book will be of interest to music educators, musicologists, performers and practitioners, as well as scholars from other disciplines with an interest in empathy research. 2021-03-23T10:29:48Z 2021-03-23T10:29:48Z 2017 chapter 9781472445803 9781138586826 https://library.oapen.org/handle/20.500.12657/47512 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9781315596587_oachapter5.pdf Taylor & Francis Music and Empathy Routledge 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb 71ef9fbf-02ce-4f25-a184-c4462e73dfe9 9781472445803 9781138586826 Routledge 19 open access
institution OAPEN
collection DSpace
language English
description In recent years, empathy has received considerable research attention as a means of understanding a range of psychological phenomena, and it is fast drawing attention within the fields of music psychology and music education. This volume seeks to promote and stimulate further research in music and empathy, with contributions from many of the leading scholars in the fields of music psychology, neuroscience, music philosophy and education. It exposes current developmental, cognitive, social and philosophical perspectives on research in music and empathy, and considers the notion in relation to our engagement with different types of music and media. Following a Prologue, the volume presents twelve chapters organised into two main areas of enquiry. The first section, entitled 'Empathy and Musical Engagement', explores empathy in music education and therapy settings, and provides social, cognitive and philosophical perspectives about empathy in relation to our interaction with music. The second section, entitled 'Empathy in Performing Together', provides insights into the role of empathy across non-Western, classical, jazz and popular performance domains. This book will be of interest to music educators, musicologists, performers and practitioners, as well as scholars from other disciplines with an interest in empathy research.
title 9781315596587_oachapter5.pdf
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title_full 9781315596587_oachapter5.pdf
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title_full_unstemmed 9781315596587_oachapter5.pdf
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publisher Taylor & Francis
publishDate 2021
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