9781315265018_oachapter7.pdf

In recent years there has been a huge amount of both popular and academic interest in storytelling as something that is an essential part of not only literature and art but also our everyday lives as well as our dreams, fantasies, aspirations, historical self-understanding, and political actions. Th...

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Γλώσσα:English
Έκδοση: Taylor & Francis 2021
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spelling oapen-20.500.12657-477092021-04-07T01:10:48Z Chapter 7 From Appropriation to Dialogic Exploration Meretoja, Hanna Storytelling; ethics; Hanna Meretoja bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSB Literary studies: general bic Book Industry Communication::H Humanities::HP Philosophy::HPQ Ethics & moral philosophy In recent years there has been a huge amount of both popular and academic interest in storytelling as something that is an essential part of not only literature and art but also our everyday lives as well as our dreams, fantasies, aspirations, historical self-understanding, and political actions. The question of the ethics of storytelling always, inevitably, lurks behind these discussions, though most frequently it remains implicit rather than explicit. This volume explores the ethical potential and risks of storytelling from an interdisciplinary perspective. It stages a dialogue between contemporary literature and visual arts across media (film, photography, performative arts), interdisciplinary theoretical perspectives (debates in narrative studies, trauma studies, cultural memory studies, ethical criticism), and history (traumatic histories of violence, cultural history). The collection analyses ethical issues involved in different strategies employed in literature and art to narrate experiences that resist telling and imagining, such as traumatic historical events, including war and political conflicts. The chapters explore the multiple ways in which the ethics of storytelling relates to the contemporary arts as they work with, draw on, and contribute to historical imagination. The book foregrounds the connection between remembering and imagining and explores the ambiguous role of narrative in the configuration of selves, communities, and the relation to the non-human. While discussing the ethical aspects of storytelling, it also reflects on the relevance of artistic storytelling practices for our understanding of ethics. Making an original contribution to interdisciplinary narrative studies and narrative ethics, this book both articulates a complex understanding of how artistic storytelling practices enable critical distance from culturally dominant narrative practices, and analyzes the limitations and potential pitfalls of storytelling. 2021-04-06T08:37:35Z 2021-04-06T08:37:35Z 2018 chapter 9781138244061 9780367667481 https://library.oapen.org/handle/20.500.12657/47709 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9781315265018_oachapter7.pdf Taylor & Francis Storytelling and Ethics Routledge 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb f69bcf08-f7b2-49eb-83d6-2849a5eb4391 9781138244061 9780367667481 Routledge 24 open access
institution OAPEN
collection DSpace
language English
description In recent years there has been a huge amount of both popular and academic interest in storytelling as something that is an essential part of not only literature and art but also our everyday lives as well as our dreams, fantasies, aspirations, historical self-understanding, and political actions. The question of the ethics of storytelling always, inevitably, lurks behind these discussions, though most frequently it remains implicit rather than explicit. This volume explores the ethical potential and risks of storytelling from an interdisciplinary perspective. It stages a dialogue between contemporary literature and visual arts across media (film, photography, performative arts), interdisciplinary theoretical perspectives (debates in narrative studies, trauma studies, cultural memory studies, ethical criticism), and history (traumatic histories of violence, cultural history). The collection analyses ethical issues involved in different strategies employed in literature and art to narrate experiences that resist telling and imagining, such as traumatic historical events, including war and political conflicts. The chapters explore the multiple ways in which the ethics of storytelling relates to the contemporary arts as they work with, draw on, and contribute to historical imagination. The book foregrounds the connection between remembering and imagining and explores the ambiguous role of narrative in the configuration of selves, communities, and the relation to the non-human. While discussing the ethical aspects of storytelling, it also reflects on the relevance of artistic storytelling practices for our understanding of ethics. Making an original contribution to interdisciplinary narrative studies and narrative ethics, this book both articulates a complex understanding of how artistic storytelling practices enable critical distance from culturally dominant narrative practices, and analyzes the limitations and potential pitfalls of storytelling.
title 9781315265018_oachapter7.pdf
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publisher Taylor & Francis
publishDate 2021
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