9783110488739.pdf
How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense...
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De Gruyter
2021
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| Διαθέσιμο Online: | https://www.degruyter.com/document/doi/10.1515/9783110488739/html |
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oapen-20.500.12657-48419 |
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oapen-20.500.12657-484192021-04-27T00:49:20Z Affektpoetiken des New Hollywood Lehmann, Hauke Film history/ in the USA affect temporality bic Book Industry Communication::A The arts::AP Film, TV & radio bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense, paranoia, and melancholy – which draw the spectators to reflect in unique ways about contradictions in their own feelings. 2021-04-26T14:18:47Z 2021-04-26T14:18:47Z 2016 book ONIX_20210426_9783110488739_24 2509-4351 9783110488739 9783110480115 9783110488760 https://library.oapen.org/handle/20.500.12657/48419 ger Cinepoetics application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9783110488739.pdf https://www.degruyter.com/document/doi/10.1515/9783110488739/html De Gruyter 10.1515/9783110488739 How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense, paranoia, and melancholy – which draw the spectators to reflect in unique ways about contradictions in their own feelings. 10.1515/9783110488739 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 9783110488739 9783110480115 9783110488760 2 374 Berlin/Boston open access |
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OAPEN |
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ger |
| description |
How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense, paranoia, and melancholy – which draw the spectators to reflect in unique ways about contradictions in their own feelings. |
| title |
9783110488739.pdf |
| spellingShingle |
9783110488739.pdf |
| title_short |
9783110488739.pdf |
| title_full |
9783110488739.pdf |
| title_fullStr |
9783110488739.pdf |
| title_full_unstemmed |
9783110488739.pdf |
| title_sort |
9783110488739.pdf |
| publisher |
De Gruyter |
| publishDate |
2021 |
| url |
https://www.degruyter.com/document/doi/10.1515/9783110488739/html |
| _version_ |
1771297552845504512 |
