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oapen-20.500.12657-487602023-06-05T13:09:38Z Sounding Islam Eisenlohr, Patrick voice anthropology of media sound studies atmospheres Islam Mauritius India Indian Ocean media sound reproduction Muslims bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRA Religion: general bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religious traditions. At the core of Eisenlohr’s concern is the interplay of voice, media, affect, and listeners’ religious experiences. Sounding Islam sheds new light on a key dimension of religion, the sonic incitement of sensations that are often difficult to translate into language. 2018-07-09 11:32:37 2020-04-01T12:36:28Z 2020-04-01T12:36:28Z 2018 book 1000231 OCN: 1051780687 9780520298712; 9780520970762 https://library.oapen.org/handle/20.500.12657/48760 eng application/pdf n/a UCP-053-eisenlohr.pdf University of California Press University of California Press 10.1525/luminos.53 1000231.0 10.1525/luminos.53 72f3a53e-04bb-4d73-b921-22a29d903b3b b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9780520298712; 9780520970762 Knowledge Unlatched (KU) University of California Press 188 Oakland Knowledge Unlatched open access
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Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religious traditions. At the core of Eisenlohr’s concern is the interplay of voice, media, affect, and listeners’ religious experiences. Sounding Islam sheds new light on a key dimension of religion, the sonic incitement of sensations that are often difficult to translate into language.
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UCP-053-eisenlohr.pdf
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University of California Press
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2018
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1771297514859790336
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