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oapen-20.500.12657-496642023-01-31T18:46:29Z After Tomorrow the Days Disappear Sijzi, Hasan Gould, Rebecca Poetry bic Book Industry Communication::D Literature & literary studies::DC Poetry Hasan Sijzi is considered the originator of the Indo-Persian ghazal, a poetic form that endures to this day — from the legacy of Hasan’s poetic descendent, Hafez, to contemporary Anglophone poets such as John Hollander, Maxine Kumin, Agha Shahid Ali, and W. S. Merwin. As with other Persian poets, Hasan worked within a highly regulated set of poetic conventions that brought into relief the interpenetration of apparent opposites — metaphysical and material, mysterious and quotidian, death and desire, sacred and profane, fleeting time and eternity. Within these strictures, he crafted a poetics that blended Sufi Islam with non-Muslim Indic traditions. Of the Persian poets who practiced the ghazal, Hafez and Rumi are best known, but their verse represents only a small fraction of a rich tradition. This collection reveals the geographical range of the literature while introducing an Indian voice that will find a place on readers’ bookshelves alongside better known Iranian names. 2021-06-22T03:30:35Z 2021-06-22T03:30:35Z 2016 book 9780810132306 https://library.oapen.org/handle/20.500.12657/49664 eng application/pdf n/a external_content.pdf Northwestern University Press Northwestern University Press 4267 b4699693-8bd9-4982-b22e-c153becb6f4b b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9780810132306 Knowledge Unlatched (KU) Northwestern University Press Knowledge Unlatched open access
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OAPEN
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English
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Hasan Sijzi is considered the originator of the Indo-Persian ghazal, a poetic form that endures to this day — from the legacy of Hasan’s poetic descendent, Hafez, to contemporary Anglophone poets such as John Hollander, Maxine Kumin, Agha Shahid Ali, and W. S. Merwin. As with other Persian poets, Hasan worked within a highly regulated set of poetic conventions that brought into relief the interpenetration of apparent opposites — metaphysical and material, mysterious and quotidian, death and desire, sacred and profane, fleeting time and eternity. Within these strictures, he crafted a poetics that blended Sufi Islam with non-Muslim Indic traditions. Of the Persian poets who practiced the ghazal, Hafez and Rumi are best known, but their verse represents only a small fraction of a rich tradition. This collection reveals the geographical range of the literature while introducing an Indian voice that will find a place on readers’ bookshelves alongside better known Iranian names.
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Northwestern University Press
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2021
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1771297483613274112
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