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oapen-20.500.12657-496872023-06-29T14:38:38Z Global Metal Music and Culture Brown, Andy R. Spracklen, Karl Kahn-Harris, Keith Scott, Niall Death metal Doom metal Fandom Grindcore Heavy Metal Metal Metal Studies Music Musicology Popular Music Progressive metal Research Subculture bic Book Industry Communication::A The arts::AV Music::AVG Music: styles & genres::AVGF Light orchestral & big band music bic Book Industry Communication::A The arts::AV Music::AVA Theory of music & musicology bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies::JFCA Popular culture bic Book Industry Communication::A The arts::AV Music This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philosophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom metal, Death metal, and Progressive metal. They interrogate production technologies, sound engineering, album artwork and band promotion, logos and merchandising, t-shirt and jewellery design, and fan communities that define the global metal music economy and subcultural scene. The volume explores how the new academic discipline of metal studies was formed, also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, and sociology, as well as those interested in metal communities around the world. 2021-06-28T10:49:21Z 2021-06-28T10:49:21Z 2016 book ONIX_20210628_9781317587255_2 9781317587255 9781315742816 9781138062597 9781138822382 https://library.oapen.org/handle/20.500.12657/49687 eng Routledge Studies in Popular Music application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9781317587255.pdf Taylor & Francis Routledge 10.4324/9781315742816 10.4324/9781315742816 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb Bath Spa University 9781317587255 9781315742816 9781138062597 9781138822382 Routledge 388 open access
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This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philosophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom metal, Death metal, and Progressive metal. They interrogate production technologies, sound engineering, album artwork and band promotion, logos and merchandising, t-shirt and jewellery design, and fan communities that define the global metal music economy and subcultural scene. The volume explores how the new academic discipline of metal studies was formed, also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, and sociology, as well as those interested in metal communities around the world.
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