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oapen-20.500.12657-497582021-07-06T14:51:18Z Antique Dealing and Creative Reuse in Cairo and Damascus 1850-1890 Volait, Mercedes Middle Eastern history bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJF Asian history::HBJF1 Middle Eastern history The commodification of Islamic antiques intensified in the late Ottoman Empire, an age of domestic reform and increased European interference following the Tanzimat (reorganisation) of 1839. Mercedes Volait examines the social life of typical objects moving from Cairo and Damascus to Paris, London, and beyond, uncovers the range of agencies and subjectivities involved in the trade of architectural salvage and historic handicraft, and traces impacts on private interiors, through creative reuse and Revival design, in Egypt, Europe and America. By devoting attention to both local and global engagements with Middle Eastern tangible heritage, the present volume invites to look anew at Orientalism in art and interior design, the canon of Islamic architecture and the translocation of historic works of art. Readership: All interested in tangible heritage in Cairo and Damascus, visual Orientalism (including photography), Islamic art collecting, and anyone concerned with commodification and intercultural contact zones. 2021-07-06T13:01:46Z 2021-07-06T13:01:46Z 2021 book ONIX_20210706_9789004449879_10 9789004449879 9789004449886 https://library.oapen.org/handle/20.500.12657/49758 eng Leiden Studies in Islam and Society application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9789004449886.pdf https://brill.com/abstract/title/59736 Brill 10.1163/9789004449886 10.1163/9789004449886 af16fd4b-42a1-46ed-82e8-c5e880252026 9789004449879 9789004449886 12 304 open access
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English
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The commodification of Islamic antiques intensified in the late Ottoman Empire, an age of domestic reform and increased European interference following the Tanzimat (reorganisation) of 1839. Mercedes Volait examines the social life of typical objects moving from Cairo and Damascus to Paris, London, and beyond, uncovers the range of agencies and subjectivities involved in the trade of architectural salvage and historic handicraft, and traces impacts on private interiors, through creative reuse and Revival design, in Egypt, Europe and America. By devoting attention to both local and global engagements with Middle Eastern tangible heritage, the present volume invites to look anew at Orientalism in art and interior design, the canon of Islamic architecture and the translocation of historic works of art. Readership: All interested in tangible heritage in Cairo and Damascus, visual Orientalism (including photography), Islamic art collecting, and anyone concerned with commodification and intercultural contact zones.
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9789004449886.pdf
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Brill
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2021
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https://brill.com/abstract/title/59736
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1771297514223304704
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