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oapen-20.500.12657-500042021-07-14T00:57:47Z Tactical Entanglements Zeilinger, Martin Nonbooks, PBS / Medien, Kommunikation/Medienwissenschaft Digital-, Video- und New Media-Kunst Creative Agency Aesthetics Ownership Artificial Intelligence Law Posthumanism Capital Intellectual Property Art Authorship Internet und digitale Medien: Kunst und Performance Medienwissenschaften: Internet, digitale Medien und Gesellschaft bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of “creative AI.” It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital. 2021-07-13T14:01:50Z 2021-07-13T14:01:50Z 2021 book ONIX_20210713_9783957961846_16 9783957961846 9783957961839 https://library.oapen.org/handle/20.500.12657/50004 eng application/pdf Attribution-ShareAlike 4.0 International 9783957961846.pdf meson press 10.14619/1839 10.14619/1839 4d4a8ec1-ecfe-4e5c-bc76-d4ece9897968 9783957961846 9783957961839 ScholarLed 186 open access
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How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of “creative AI.” It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital.
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