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oapen-20.500.12657-501742021-07-24T02:43:53Z Language, Nation, Race Ueda, Atsuko Asian Studies bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSL Ethnic studies::JFSL3 Black & Asian studies Language, Nation, Race explores the various language reforms at the onset of Japanese modernity, a time when a “national language” (kokugo) was produced to standardize Japanese. Faced with the threat of Western colonialism, Meiji intellectuals proposed various reforms to standardize the Japanese language in order to quickly educate the illiterate masses. This book liberates these language reforms from the predetermined category of the “nation,” for such a notion had yet to exist as a clear telos to which the reforms aspired. Atsuko Ueda draws on, while critically intervening in, the vast scholarship of language reform that engaged with numerous works of postcolonial and cultural studies. She examines the first two decades of the Meiji period, with specific focus on the issue of race, contending that no analysis of imperialism or nationalism is possible without it. “Language, Nation, Race is an exceptional book. It not only provides a cogent interpretation of Meiji-era linguistic and literary reform movements but also productively challenges the current scholarly consensus regarding the meaning of these movements. Atsuko Ueda makes an entirely original and convincing argument about the relevance of ‘whiteness’ to the understanding of linguistic, aesthetic, and cultural values within these movements.”—JAMES REICHERT, Associate Professor of East Asian Languages and Cultures, Stanford University “A remarkable accomplishment, bound to have a lasting impact in the field of Japan studies and beyond. Ueda’s compelling reading of Meiji period literary and linguistic debates opens new avenues for a philosophical questioning of phoneticism and its significance to the formation of the geopolitical categories of ‘West’ and ‘non- West.’”—PEDRO ERBER, author of Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan 2021-07-23T15:11:29Z 2021-07-23T15:11:29Z 2021 book ONIX_20210723_9780520381728_13 9780520381728 9780520381711 https://library.oapen.org/handle/20.500.12657/50174 eng application/pdf n/a 9780520381728.pdf https://doi.org/10.1525/luminos.103 University of California Press University of California Press 10.1525/luminos.103 10.1525/luminos.103 72f3a53e-04bb-4d73-b921-22a29d903b3b 9780520381728 9780520381711 University of California Press 173 Oakland open access
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Language, Nation, Race explores the various language reforms at the onset of Japanese modernity, a time when a “national language” (kokugo) was produced to standardize Japanese. Faced with the threat of Western colonialism, Meiji intellectuals proposed various reforms to standardize the Japanese language in order to quickly educate the illiterate masses. This book liberates these language reforms from the predetermined category of the “nation,” for such a notion had yet to exist as a clear telos to which the reforms aspired. Atsuko Ueda draws on, while critically intervening in, the vast scholarship of language reform that engaged with numerous works of postcolonial and cultural studies. She examines the first two decades of the Meiji period, with specific focus on the issue of race, contending that no analysis of imperialism or nationalism is possible without it. “Language, Nation, Race is an exceptional book. It not only provides a cogent interpretation of Meiji-era linguistic and literary reform movements but also productively challenges the current scholarly consensus regarding the meaning of these movements. Atsuko Ueda makes an entirely original and convincing argument about the relevance of ‘whiteness’ to the understanding of linguistic, aesthetic, and cultural values within these movements.”—JAMES REICHERT, Associate Professor of East Asian Languages and Cultures, Stanford University “A remarkable accomplishment, bound to have a lasting impact in the field of Japan studies and beyond. Ueda’s compelling reading of Meiji period literary and linguistic debates opens new avenues for a philosophical questioning of phoneticism and its significance to the formation of the geopolitical categories of ‘West’ and ‘non- West.’”—PEDRO ERBER, author of Breaching the Frame: The Rise of Contemporary Art in Brazil and Japan
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University of California Press
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2021
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https://doi.org/10.1525/luminos.103
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1771297425002070016
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