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oapen-20.500.12657-504992022-04-26T11:19:29Z Materialized Identities in Early Modern Culture, 1450-1750 Burghartz, Susanna Burkart, Lucas Göttler, Christine Rublack, Ulinka materiality; early modern Europe; affects; artisanal Ingenuity; identity bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACN History of art & design styles: c 1400 to c 1600 bic Book Industry Communication::H Humanities::HB History::HBL History: earliest times to present day::HBLH Early modern history: c 1450/1500 to c 1700 "This collection embraces the increasing interest in the material world of the Renaissance and the early modern period, which has both fascinated contemporaries and initiated in recent years a distinguished historiography. The scholarship within is distinctive for engaging with the agentive qualities of matter, showing how affective dimensions in history connect with material history, and exploring the religious and cultural identity dimensions of the use of materials and artefacts. It thus aims to refocus our understanding of the meaning of the material world in this period by centring on the vibrancy of matter itself. To achieve this goal, the authors approach ""the material"" through four themes - glass, feathers, gold paints, and veils - in relation to specific individuals, material milieus, and interpretative communities. In examining these four types of materialities and object groups, which were attached to different sensory regimes and valorizations, this book charts how each underwent significant changes during this period." 2021-08-23T08:17:19Z 2021-08-23T08:17:19Z 2021 book 9789463728959 https://library.oapen.org/handle/20.500.12657/50499 eng Visual and Material Culture, 1300-1700 application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9789048554058.pdf https://www.aup.nl/en/book/9789048554058 Amsterdam University Press 10.5117/9789463728959 10.5117/9789463728959 dd3d1a33-0ac2-4cfe-a101-355ae1bd857a 07f61e34-5b96-49f0-9860-c87dd8228f26 9789463728959 Swiss National Science Foundation (SNF) 419 Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung Swiss National Science Foundation open access
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"This collection embraces the increasing interest in the material world of the Renaissance and the early modern period, which has both fascinated contemporaries and initiated in recent years a distinguished historiography. The scholarship within is distinctive for engaging with the agentive qualities of matter, showing how affective dimensions in history connect with material history, and exploring the religious and cultural identity dimensions of the use of materials and artefacts. It thus aims to refocus our understanding of the meaning of the material world in this period by centring on the vibrancy of matter itself.
To achieve this goal, the authors approach ""the material"" through four themes - glass, feathers, gold paints, and veils - in relation to specific individuals, material milieus, and interpretative communities. In examining these four types of materialities and object groups, which were attached to different sensory regimes and valorizations, this book charts how each underwent significant changes during this period."
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