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oapen-20.500.12657-50723
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dspace
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oapen-20.500.12657-507232021-10-06T02:44:11Z Towards a Digital Epistemology Ingvarsson, Jonas digital humanities media archeology media history early modern aesthetics digital culture aesthetic history Open Access bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an effect or a reaction to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principle of pertinence contribute to the analyses of contemporary digital forms? 2021-10-05T14:05:43Z 2021-10-05T14:05:43Z 2021 book ONIX_20211005_9783030787240_17 9783030787240 https://library.oapen.org/handle/20.500.12657/50723 eng application/pdf n/a 978-3-030-78724-0.pdf https://www.springer.com/9783030638924 Springer Nature Palgrave Macmillan 10.1007/978-3-030-78724-0 10.1007/978-3-030-78724-0 6c6992af-b843-4f46-859c-f6e9998e40d5 ffc4cea7-bb7b-486d-b0be-82ba9178b9ac 4145f6e1-7fec-4cb6-b2a7-f57ff59a2403 9783030787240 Palgrave Macmillan 136 [grantnumber unknown] [grantnumber unknown] open access
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| institution |
OAPEN
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DSpace
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| language |
English
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| description |
This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an effect or a reaction to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principle of pertinence contribute to the analyses of contemporary digital forms?
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| title |
978-3-030-78724-0.pdf
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| spellingShingle |
978-3-030-78724-0.pdf
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| title_short |
978-3-030-78724-0.pdf
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| title_full |
978-3-030-78724-0.pdf
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| title_fullStr |
978-3-030-78724-0.pdf
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| title_full_unstemmed |
978-3-030-78724-0.pdf
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| title_sort |
978-3-030-78724-0.pdf
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| publisher |
Springer Nature
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| publishDate |
2021
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| url |
https://www.springer.com/9783030638924
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1771297627852242944
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