9780367823559_10.4324_9780367823559-1.pdf

A comprehensive, engaging and timely Bakhtinian examination of the ways in which the music and lyrics of Pacific reggae, aspects of performance, a record album cover, and the social and political context construct social commentary, resistance and protest. Framed predominantly by the theory and phil...

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Γλώσσα:English
Έκδοση: Taylor & Francis 2021
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spelling oapen-20.500.12657-508422021-10-07T02:51:25Z Chapter 1 Constructing an encounter between Mikhail Bakhtin and the New Zealand band Herbs Turner, Elizabeth Mikhail Bakhtin, musical discourse, New Zealand, popular culture, popular music and protest discourse bic Book Industry Communication::C Language::CB Language: reference & general::CBV Creative writing & creative writing guides bic Book Industry Communication::A The arts::AV Music::AVG Music: styles & genres::AVGF Light orchestral & big band music bic Book Industry Communication::A The arts::AV Music::AVA Theory of music & musicology A comprehensive, engaging and timely Bakhtinian examination of the ways in which the music and lyrics of Pacific reggae, aspects of performance, a record album cover, and the social and political context construct social commentary, resistance and protest. Framed predominantly by the theory and philosophy of Russian literary theorist Mikhail Bakhtin, this innovative investigation of the discourse of Pacific reggae in New Zealand produces a multi-faceted analysis of the dialogic relationships that create meaning in this genre of popular music. It focuses on the award-winning record EP What’s Be Happen? by the band Herbs, which has been recognised for its ground-breaking music and social commentary in the early 1980s. Herbs’ songs address the racism and ideology of the apartheid regime in South Africa and the relationship between sport and politics, as well as universally relevant conflicts over race relations, the experiences of migrants, and the historic and ongoing loss of indigenous people’s lands. The book demonstrates the striking compatibility between Bakhtin’s theorisation of utterances as ethical acts and reggae music, along with the Rastafari philosophy that underpins it, which speaks of resistance to social injustice, of ethical values and the kind of society people seek to achieve. It will appeal to a cross-disciplinary audience of scholars in Bakhtin studies; discourse analysis; popular cultural studies; the literary analysis of popular music and lyrics, and those with an interest in the culture and politics of Aotearoa New Zealand and the Pacific region. 2021-10-06T13:05:19Z 2021-10-06T13:05:19Z 2021 chapter 9780367423261 9781032117867 https://library.oapen.org/handle/20.500.12657/50842 eng Routledge Studies in Linguistics application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9780367823559_10.4324_9780367823559-1.pdf Taylor & Francis The Discourse of Protest, Resistance and Social Commentary in Reggae Music Routledge 10.4324/ 9780367823559-1 10.4324/ 9780367823559-1 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb 9d5bd2e6-01ec-4ea5-a91a-d5adb594ebc5 9780367423261 9781032117867 Routledge 16 open access
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description A comprehensive, engaging and timely Bakhtinian examination of the ways in which the music and lyrics of Pacific reggae, aspects of performance, a record album cover, and the social and political context construct social commentary, resistance and protest. Framed predominantly by the theory and philosophy of Russian literary theorist Mikhail Bakhtin, this innovative investigation of the discourse of Pacific reggae in New Zealand produces a multi-faceted analysis of the dialogic relationships that create meaning in this genre of popular music. It focuses on the award-winning record EP What’s Be Happen? by the band Herbs, which has been recognised for its ground-breaking music and social commentary in the early 1980s. Herbs’ songs address the racism and ideology of the apartheid regime in South Africa and the relationship between sport and politics, as well as universally relevant conflicts over race relations, the experiences of migrants, and the historic and ongoing loss of indigenous people’s lands. The book demonstrates the striking compatibility between Bakhtin’s theorisation of utterances as ethical acts and reggae music, along with the Rastafari philosophy that underpins it, which speaks of resistance to social injustice, of ethical values and the kind of society people seek to achieve. It will appeal to a cross-disciplinary audience of scholars in Bakhtin studies; discourse analysis; popular cultural studies; the literary analysis of popular music and lyrics, and those with an interest in the culture and politics of Aotearoa New Zealand and the Pacific region.
title 9780367823559_10.4324_9780367823559-1.pdf
spellingShingle 9780367823559_10.4324_9780367823559-1.pdf
title_short 9780367823559_10.4324_9780367823559-1.pdf
title_full 9780367823559_10.4324_9780367823559-1.pdf
title_fullStr 9780367823559_10.4324_9780367823559-1.pdf
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publisher Taylor & Francis
publishDate 2021
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