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oapen-20.500.12657-50854
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oapen-20.500.12657-508542021-10-08T02:44:52Z Chapter 1 Introduction Kellermann, Jonas Literary Criticism, Shakspeare bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism The introductory chapter frames Shakespeare’s Romeo and Juliet and its dramatisation of romantic love within the recent affective turn, defining affect as relational and discursive movements that are intelligible as individual, nameable emotions based on their adherence to certain cultural taxonomies. This definition entails my overall query: what are the taxonomies according to which affective movements become readable as amorous emotion in Romeo and Juliet? To showcase that these patterns not only pertain to verbal language, I also discuss symphonic and balletic adaptations of the play, specifically Hector Berlioz’s dramatic symphony Roméo et Juliette (1839) and Sasha Waltz’s staging of the Berlioz’s symphony for the Paris Opera Ballet (2007). 2021-10-07T09:49:44Z 2021-10-07T09:49:44Z 2021 chapter 9781032028590 9781032028606 https://library.oapen.org/handle/20.500.12657/50854 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9781003185536_10.4324_9781003185536-1.pdf Taylor & Francis Dramaturgies of Love in Romeo and Juliet Routledge 10.4324/9781003185536-1 10.4324/9781003185536-1 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb 219a9525-9343-4c89-bfbb-d576fbf247f7 9781032028590 9781032028606 Routledge 22 open access
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OAPEN
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DSpace
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| language |
English
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| description |
The introductory chapter frames Shakespeare’s Romeo and Juliet and its dramatisation of romantic love within the recent affective turn, defining affect as relational and discursive movements that are intelligible as individual, nameable emotions based on their adherence to certain cultural taxonomies. This definition entails my overall query: what are the taxonomies according to which affective movements become readable as amorous emotion in Romeo and Juliet? To showcase that these patterns not only pertain to verbal language, I also discuss symphonic and balletic adaptations of the play, specifically Hector Berlioz’s dramatic symphony Roméo et Juliette (1839) and Sasha Waltz’s staging of the Berlioz’s symphony for the Paris Opera Ballet (2007).
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9781003185536_10.4324_9781003185536-1.pdf
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| spellingShingle |
9781003185536_10.4324_9781003185536-1.pdf
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| title_short |
9781003185536_10.4324_9781003185536-1.pdf
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| title_full |
9781003185536_10.4324_9781003185536-1.pdf
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| title_fullStr |
9781003185536_10.4324_9781003185536-1.pdf
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| title_full_unstemmed |
9781003185536_10.4324_9781003185536-1.pdf
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| title_sort |
9781003185536_10.4324_9781003185536-1.pdf
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| publisher |
Taylor & Francis
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| publishDate |
2021
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| _version_ |
1771297542996230144
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