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oapen-20.500.12657-510772023-02-01T08:49:20Z Economic Imperatives for Women's Writing in Early Modern Europe (Volume 2) Font Paz, Carme Geerdink, Nina Literary Criticism bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism Economic Imperatives for Women’s Writing in Early Modern Europe delves into the early modern history of women’s authorship and literary production in Europe taking a material turn. The case studies included in the volume represent women writers from various European countries and comparatively reflect the nuances of their participation in a burgeoning commercial market for authors while profiting as much from patronage. From self-representation as professional writers to literary reception, the challenges of reputation, financial hardships, and relationships with editors and colleagues, the essays in this collection show from different theoretical standpoints and linguistic areas that gender biases played a far less limiting role in women’s literary writing than is commonly assumed, while they determined the relationship between moneymaking, self-representation, and publishing strategies. 2021-10-19T05:31:53Z 2021-10-19T05:31:53Z 2018 book 9789004383029 https://library.oapen.org/handle/20.500.12657/51077 eng application/pdf n/a external_content.pdf Brill Brill https://doi.org/10.1163/9789004383029 105719 https://doi.org/10.1163/9789004383029 af16fd4b-42a1-46ed-82e8-c5e880252026 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9789004383029 Knowledge Unlatched (KU) Brill Knowledge Unlatched open access
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Economic Imperatives for Women’s Writing in Early Modern Europe delves into the early modern history of women’s authorship and literary production in Europe taking a material turn. The case studies included in the volume represent women writers from various European countries and comparatively reflect the nuances of their participation in a burgeoning commercial market for authors while profiting as much from patronage. From self-representation as professional writers to literary reception, the challenges of reputation, financial hardships, and relationships with editors and colleagues, the essays in this collection show from different theoretical standpoints and linguistic areas that gender biases played a far less limiting role in women’s literary writing than is commonly assumed, while they determined the relationship between moneymaking, self-representation, and publishing strategies.
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